I did say to DH about the flittery doggie-bat, though, "Get me a gun, I'ma shoot the damn thing" about the fourth time I ducked.
Whereas I was "GIMME! WANT ONE OF MY VERY OWN NOW NOW NOW" about those.
Willow ,'Get It Done'
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I did say to DH about the flittery doggie-bat, though, "Get me a gun, I'ma shoot the damn thing" about the fourth time I ducked.
Whereas I was "GIMME! WANT ONE OF MY VERY OWN NOW NOW NOW" about those.
I thought it was a nice Easter Egg to show us just how restrained they'd been through the whole thing!
But... they also had them appear during the main part of the movie itself fairly early on. So, not all that restrained for that one instance.
I did say to DH about the flittery doggie-bat, though, "Get me a gun, I'ma shoot the damn thing" about the fourth time I ducked.
I said, "How did the batdog get behind the credits? Get a broom and get chase him out of there!"
But... they also had them appear during the main part of the movie itself fairly early on. So, not all that restrained for that one instance.
They didn't come out of the screen neeeeearly as much.
Eh. It was still so much field depth that it took me a moment to realize what it was swirling out of the screen at me.
I didn't have a problem with it either. I guess that officially means we have Slimline heads.
I didn't have trouble, and I have a HUGE noggin! Mine was Real-D.
There was also the purely 3-D moment of the needle coming straight out during the credits.
LASIK.
I just got back from Push. Both the artistic style and the fact that it was set in Hong Kong made it more interesting than your typical sci-fi dudes-with-powers flick. Although the director doesn't appear to be able to film fight scenes for shit; I could barely tell what was going on half the time. But it was very cool, and there were a few neat tricks. This is a very well-trodden field, so it's hard to be original. Dakota Fanning was very amusing.