'Shindig'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
What frustrated me about Up in the Air was the end, with the whole "look up in the sky, and the brightest light will be my wingtip as I pass over" or something.
So, he gets burned on his way to embracing a real romantic life, and? re-enters isolation? He realizes that he's so desperately alone and? accepts it?
I'm glad I saw the movie--I just didn't expect to feel that way when the credits rolled. It switched from being an individual realisation movie to a general sentiment.
Juliebird, at my most optimistic (I've been thinking about the movie all night) I figure that next time round he'll be better placed for something real. Some resignation, much regret.
I think he just realizes that being along is not a virtue, but doesn't know what else to do. So who knows what next?
Yeah, the film ends where he got the life he thought he wanted at the same time he realized he was working for the wrong thing. So he is essentially starting over.
I kinda love that about it.
I thought the ending was needlessly heavy-handed. It would have worked better if it had just been him standing in the airport staring up at the departures board, without the VO going on for another 5 minutes explaining how we were supposed to feel about it.
Absolutely, Jessica. I thought the vo just muddied it. Having it as you suggest, I was reminded of the newbie saying she'd just pick the first flight anywhere (or something along the lines of just having a lark and enjoying it), and there he is at the end, standing at a crossroads, changing the reason he flies. Not to be isolated, but to go somewhere for the sake of enjoying the journey *and* the destination, But where it continued to with the VO, it just felt like he'd reverted to bad habits, but with the extra funk of knowing he's ignoring his epiphany with Sam Elliot and willfully embracing the isolation because there's no pain there.
Oh, Sam Elliott is in it?! Wow, that gives me a whole reason to see it.
(I have an unreasonable Sam Elliott love. I watched "Roadhouse" of few months ago just for Elliott.)
Sam's role is not large at all, Erin.
There's nothing unreasonable about it at all! He is sunshine and a warm, soft breeze.
Sam Elliott is one of the bright lights in "The Big Lebowski" which is a movie with a whole lot of bright lights.
ita, I can totally understand your point about the movie hitting you in a particular way. I think I said last month that I didn't enjoy the movie as much as I thought I would. I think I wanted a hint at an origin story: how did the lead character come to this point?
Typo, he definitely fucked a lot of women multiple times - including that neighbor of his, but none seemed to have the same outlook on life like Chicago woman.
The question I had at the end of the movie is how we are to interpret his remark to his boss that he didn't remember the woman who said she was going to jump off a bridge. Did he really not remember or did he remember but was covering his coworker's butt? I'm not sure which is the more damning (or charitable) interpretation.