Right?
Totes! We are not facebook!
Mal ,'Safe'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Right?
Totes! We are not facebook!
I don't think they did enough work to make their list mockworthy. Though they did include something-- The Men Behind The Sun-- that I have no interest whatsoever in grossing myself out with.
Still, no Oldboy. What's that pic gotta do to get some play?
I think of Oldboy as in the realm of Kill Bill. Imma go see what we have it as.
Looks like keywords are mystery [enigma), revenge, imprisonment, Korean ,torture
Descriptors are Graphic Violence, Psychological Drama, and Thriller.
I would categorise it as psychological horror. Drama doesn't do it justice, and thriller gives the wrong idea to me. Graphic violence is spot on. It has no surreal elements to it, like Audition does. But I think Misery is horror too.
Oldboy is considered an action/revenge movie rather than a horror movie.
Yeah, it's Misery horror to me. Perhaps I mean sickening instead of horror.
Anyone seen Park Chan-Wook's newest, Thirst? You know, the vampire-priest film? I've read vastly mixed reviews.
I've tried and bounced off Park's work in the past. Sympathy for Mr. Vengeance tops my list of "films I wish I'd never seen." I acknowledged it was well-acted and well-made, but it sent me to a really bad place emotionally -- sort of like, "life is a neverending pit of despair and we all die horribly and there will never be any joy or happiness for anyone ever again, so HAHAHA SUCKERS." I didn't even get intellectual pleasure one might get from bleak, existential horror, and I got no thrills or catharsis out of it. It was just mean. And ugly and violent. It didn't even have the trappings of the supernatural to soften the blow. After that, I didn't want to touch Oldboy with a ten-foot pole.
At least Thirst has the vampire-factor. And the priest factor (damn my Catholic education for warping me for life!). And Song Kang-Ho, who I loved in Memories of Murder and Host. (Well, he was in Sympathy, too, but I try not to think about it.)
Cereal:
I saw An Education over the weekend and I adored it to bits. Probably the most pleasure I got out of movies in the last few months. Carey Mulligan (Sally Sparrow from the DW episode, "Blink") is fantastic in it, and the Audrey Hepburn comparison I've been hearing about isn't completely absurd (I went more to the Leslie Caron place, although that was probably due to the older man/young girl aspect of it.)
I have the two Vengeance movies on my Netflix streaming queue, Vonnie. Would you recommend against seeing them? The person I saw Oldboy with swears it has a happy ending. I think it's horrible beyond all words, but I don't regret having seen it.
I dunno, ita. Appreciation of horror is such a subjective thing. I think one can appreciate Sympathy for Mr. Vengeance as one might enjoy a Jacobean revenge tragedy, but I found the level of violence -- and the almost aesthetic revelling in the detail of the violence and torture in the film -- very difficult to stomach. I mean, I usually have no trouble with bleakness or unhappy endings and I've known to enjoy psychological horror, but I have to have *something* to balance it with, y'know? Some catharsis or operatic grandeur, or a tiny flicker of hope. I recall the movie looked beautiful, but mostly I remember slooooooow moments depicting unending despair and hopeless of human condition interspersed with bouts of unbearable violence and torture. Gah.
That said, I think you probably have stronger stomach for violence than I do (I am such a wuss, I couldn't even finish watching A Clockwork Orange.)