Today's featured review at one of my favorite b-movie blogs, Die Danger Die Die Kill is the Shaw Brothers (Hong Kong) 1968 spy flick The Brain Stealers!
Essential reading for such evil overlord types as MM, Gud and Clovis.
'The Killer In Me'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Today's featured review at one of my favorite b-movie blogs, Die Danger Die Die Kill is the Shaw Brothers (Hong Kong) 1968 spy flick The Brain Stealers!
Essential reading for such evil overlord types as MM, Gud and Clovis.
I just came back from watching Au Hasard Balthazar at a screening room at the art college with a film professor, a couple of film students and a handful of philosophers. A logn discussion about Bresson and grace followed, which was almost over my head.
I don't know if I liked the film so much--The passivity of the actors was making me craaaaaazy, and I think I empathized far too much with the donkey. But I do love watching films with people who know the history and background a film. The best thing is that this may be an in more to these informal screenings. I so miss having a rep cinema in town.
Has anyone seen Waltz with Bashir? Usually not my kind of movie, but the animation made it watchable for me.
think I empathized far too much with the donkey
That wasn't a donkey! That was Jesus!
I love that movie for being so batshit crazy, but I think Megan might have a few choice words about it.
That wasn't a donkey! That was Jesus!
Oh, we discussed the blatant Jesus imagery. The film guy seems to be in love with Bresson. I think he called this movie "the epitome of cinema."
Ultimately, I think I found it too bleak that the animal was the only one capable of grace.
I thought that was pretty funny, actually. I mean, misanthropic, yes, but funny.
I'm not always in agreement with Pauline Kael, but ultimately we both like a fair bit of razzle dazzle sensation in our movies so quiet, slow, deliberate directors like Bresson or Ozu can be a trial.
I'm not always in agreement with Pauline Kael, but ultimately we both like a fair bit of razzle dazzle sensation in our movies so quiet, slow, deliberate directors like Bresson or Ozu can be a trial.
This is me w/r/t Antonioni, with the exception of Blow Up.
Has anyone seen Waltz with Bashir? Usually not my kind of movie, but the animation made it watchable for me.
I saw it, DJ. I don't know if I could say I liked it, but I thought it was very powerful, and the animation was fascinating -- it helped to make the whole subject of the movie feel more distant, so that I didn't even realize it was a documentary until halfway through.
Just saw A Serious Man a few nights ago, and LOVED it. I can't stop thinking about it.
Don't know if I should put this here or in Natter, but the brother of director Christopher Nolan is currently incarcerated in downtown Chicago awaiting extradition to Costa Rica on a murder charge, and he was caught planning an escape.