I like The 400 Blows quite a bit (especially the in-jokes referring to other scenes from French cinema), but Truffaut is my least favorite director of the French New Wave. I absolutely hate Jules et Jim and don't have much use for Shoot the Piano Player.
I love L'Avventura and liked Blow Up, but man, Antonioni was all about the ennui. There's no action.
I rented Uwe Boll's House of the Dead because Tyron Leitso was one of the stars. I hope I never sink lower than that.
I rented White Noise 2 for Nathan Fillion. The Katie Sackoff was a bonus. The plot was... not.
Speaking of the French New Wave, the AV Club put an interview with Agnes Varda up today: [link]
Truffaut is my least favorite director of the French New Wave. I absolutely hate Jules et Jim and don't have much use for Shoot the Piano Player.
::cries::
(although
Jules et Jim
does suck)
Corwood--no Truffaut love? Really? Even for lovely confections like Day for Night?
Antonioni was all about the ennui. There's no action.
But it's a movie about a guy who may have photographed a murder! How can that be ennuitastic and actionless? COME ON, ANTONIONI.
::cries::
There, there.
Even for lovely confections like Day for Night?
Never seen it! I've only seen The 400 Blows, Shoot The Piano Player, Jules et Jim, and Fahrenheit 451, and I disliked (or hated) the last three of those. Everything I've read that the guy wrote, on the other hand, was sharp and insightful.
COME ON, ANTONIONI.
Well, it does have topless Vanessa Redgrave. And Jeff Beck smashing a guitar a la Pete Townshend. And the style is definitely High Swinging London. But the stories in Antonioni movies are sorta like Rosencrantz and Guildenstern Are Dead: the story you think you're going to get is happening elsewhere.
I rented Uwe Boll's
Any sentence that begins with those words is bound to end in sorrow and alcohol, and rooms full of broken things.
Never seen it! I've only seen The 400 Blows, Shoot The Piano Player, Jules et Jim, and Fahrenheit 451, and I disliked (or hated) the last three of those. Everything I've read that the guy wrote, on the other hand, was sharp and insightful.
Hmm, yeah, not the best of the bunch for sure, although I like
Pianiste.
I can't believe someone who worships Renoir as you do would not appreciate at least some Truffaut.