We saw it too. It was entertainingly weird. I've seen reactions from people who loved it, people who said it made them thoughtful, and people who thought it was a clusterfuck.

We saw it too. It was entertainingly weird. I've seen reactions from people who loved it, people who said it made them thoughtful, and people who thought it was a clusterfuck.

I thought it was brilliant. One of my top five dystopian movies, certainly. I think my eyes were basically round with delight the whole time. And it was so, so, so pretty. So very beautiful. (I'm talking about the cinematography. To be clear. Though Song Kang-Ho and Chris Evans are both gorgeous in it.)

We saw Earth to Echo and found it quite enjoyable (although I'd only recommend it for those with tweens who like That Sort of Thing). I'd describe it as ET meets Super 8.

I did not love Snowpiercer as much as I wanted too. I didn't have enough handwavium to fill the plot holes, but I did love parts of it, and it was very pretty. Also, I'm kind of amused that Tilda Swinton has been in three of the last four movies I've seen.

If you count things seen on video, I think Chris Evans has been in almost every movie I've seen this year, and the two exceptions were Queen of the Damned and The Covenant.

(I've spent more time in movie theatres this year than I have in the bulk of the last decade, but twelve of those showings were all the same damn movie. So.)

I think going into it assuming a certain degree of graphic novel logic and debt owed to magical realism helped me re: plot holes. Plus, pretty. It's also a movie I'm going to need to rewatch a few times, just to catch everything.

Summer blockbusters could learn a lot from Dawn of the Planet of the Apes. Focus on character conflict and motivation, action sequences that serve the story and characters, and no lingering shots of disaster porn. The climactic scene in the movie is between two special effects and it's so emotionally cathartic it brought me to tears.

So glad Andy Serkis got top billing on this one. Even moreso than the first one, it's his movie. It's amazing how well characterized all the fucking CGI apes are. Bravo, Weta, you better get a goddamn Visual Effects Oscar out of this. For fuck's sake, the movie opens and closes on Caesar's goddamn eyes. HIS DIGITALLY CREATED EYES.

I think going into it assuming a certain degree of graphic novel logic and debt owed to magical realism helped me re: plot holes.

I just saw it today as well, and this is my take on "things that didn't make sense" as well. Boy that was a whole lot of movie. And so very, very not afraid to take out anyone in the cast.

I need to IMDB Octavia Spencer, but this is the only action-type movie I've ever seen her name in conjunction with, that I can recall. She looked like she was having a blast playing a bad-ass mama bear.

It's also a movie I'm going to need to rewatch a few times, just to catch everything.

I also agree with this.

I also saw the documentary about Roger Ebert, Life Itself. I really liked it, but be warned, it really doesn't pull any punches on what shape he was in at the end. Although, until the very end, I was impressed by just how he managed to remain upbeat during what must have been a ghastly series of events to live through.

I think going into it assuming a certain degree of graphic novel logic and debt owed to magical realism helped me re: plot holes.

I did not know it was a graphic novel before seeing it; if I had that may have influenced what I thought of it a little. I didn't really get a magical realism feel from it at all. I am going to seek out the graphic novel, and maybe rewatch the film when it comes out on DVD. TCG enjoyed it much more than I did.

The cast was A++++++++ awesome. I kinda want to see Brazil again now, too.

Oh, and I may have bought a digital copy last night. Possibly.