But the pacing. Oh the pacing. Ponderous. Epochal. Like a drip of molasses caught in amber on the back of a narcoleptic tortoise.
I blame our short-attention-span, MTV-music-video-quick-edit generation.
But seriously, I've never thought about the pacing of the movie....
Tallulah Bankhead Plays Catherine the Great
My two favorite Tallulah stories are Hitchcock's response to the studio's complaint that she wouldn't wear underwear during the filming of LIFEBOAT (He said he'd like to deal with it, but didn't know which department would handle it - wardrobe, makeup or hairdressing).
The other was her encounter with Chico Marx at a party that I think I've linked to an account of in this thread before (it's a bit too long to summarize).
I'm currently rewatching early 40s Hitchcock (
Foreign Correspondent, Saboteur,
etc.) and
Lifeboat
is up next.
Saboteur is so odd, isn't it? Not really a GOOD movie, but fascinating.
I liked it more than I remembered, but I love all of his innocent-man-on-the-lam (who wins the trust of the beautiful woman) films. See also,
Young and Innocent, The 39 Steps,
and, of course,
North by Northwest.
Also,
Saboteur
is one of the hardest Hitchcock cameos to spot.
I have tried to watch Saboteur a few times on the late movie, and always end up falling alseep.
It's certainly one of those films that really shouldn't be two hours long.
I watched
The Fast and the Furious: Tokyo Drift
yesterday. Despite having only the loosest connection to the franchise, it was better than the second movie for some reason. Possibly because Han was awesome. I'm a little excited for the new movie now!
Dude, those are brilliant.