( continues...) was, it was how it went about conveying the information to a very precise emotional purpose. Every shot was about making you feel a very specific emotion in build-up to a gut shot and it was the exact way you were intended to feel. And that's when you realize that it was the way the basic meanings were all brought together that was actually so remarkable. Simple addition and subtraction leading to so much more. Cinematography matters and there is an age-old understanding of the basics that applies to how we construct our visions and meanings. When hulk gets mad at found footage because it breaks the rules constantly by trying to go half-way between docu-style and cheating when it needs it, hulk gets mad because hulk has no idea how hulk is supposed to interpret any of it. And what found footage gains in immediacy and cheap visceral tactics, it ultimately loses in its inability to compel and bring you in by opting for a style that will ultimately push you away. There's a reason so few of them have actually worked, folks. And likewise, when hulk rails about digital cinematography it's not the choice of some luddite saying "oh, no everything's different!" it's because it makes it more difficult to use the language of cinematic affectation. With digital photography you can imbue films with a "cool" and "sheen" look, but it's so much harder to make them sumptuous, or find the same color range to capture the glory of the sun, or even get that soft glow off a tungsten bulb. Hulk doesn't like digital because it's suddenly so much harder to do half the things in cinema that we've been doing for years. And the best things too. Sure, we can still make "cool" films, but hulk genuinely argues we've lost the ability to shoot romantic affectation these last few years. And that's because basics matter and affect us on the most visceral, unaware level. And as we head into the awards season, a lot of people don't understand why artists and critics get so bent out of shape about this stuff. Sometimes they chalk it up to jealousy. Which might be a small part of it for some, but hulk would argue that it is more about the fact that awards season is meant to be about upholding a standard. More of a value, really. We are trying to say that cinema values art and theme and resonance and everything that we hold dear as a society; a society that is propagated on the backs of storytelling, myth and our ability to intellectually process all we see. And when something comes out that seems to undermine those grand concepts - and not in the manner of useful rebellion, but out of something as fucking lame as a pretentious lack of understanding, and then when that pretentiousness is dressed up and amalgamated and it causes people to actually mistake it for the genuine article - well... It makes the people who value cinema kind of upset. It shouldn't be the kind of upset where we begrudge anyone or throw hissy-fits or pretend they are anything other than a person trying to do their best, but we still have to uphold the value of cinema. We have to say what we feel is right. When hulk first started doing all this it was about creating a space for learning. Hulk isn't trying to be a teacher, but hopefully someone who can make a few points and foster a good conversation. And who knows, maybe that is what makes a good teacher. The point is this is a place where we are meant to value knowledge and application. And that sometimes means speaking out when one feels the wrong thing is being held up as an example of how to do things. And when awards season values the work of and will likely nominate and award someone who hulk, and just about every single professional person hulk knows, thinks literally has no idea what to do with a camera... Well... Make of that what you will. But the emperor has no clothes.

That is...not much better.

Is too much. Hulk sum up? Although I think I got the drift.

Pick camera angles to best tell the story. . . don't be sucked in by a style that won't serve the story.

Also, caring about cinematography not make Hulk snob.

Okay, not much easier without paragraphs. Sorry.

Sorry, I don't mean to sound ungrateful! I have some respiratory/sinus thing that makes my head feel like someone's stuffed it with chloroform-soaked cotton balls, so thinking is not happening.

That review reminds me -- I haven't see Les Miz yet, but we saw a commercial for it last night (I assume the first commercial after the Oscar nominations), and the first shot of Jackman made me yell "Wolverine!"

Tim told me if I'm going to be yelling "Wolverine!" through the whole movie, I'm not allowed to go. I told him I would mix it up by yelling "Catwoman!" and "Gladiator!" as well.

Frankly, I'm amazed he ever goes to movies with me.

On a less smart-assed note, at a family party I was talking with Tim's 21-year-old nephew about Les Miz, and it turns out we have the same favorite cast recording of it (and feel equally strongly about the fact that it is the One True Recording). And he's also a HUGE fan of Dr. Horrible and Avengers (well, mostly Loki). It was a highly geeky evening.

What is your one true recording?

The London cast. And, honestly, I think it's my one true recording because it was the first one I ever heard. I was 17, and I don't think I realized there might even be more than one cast recording. I listened to it incessantly before I found out there was a Broadway cast recording. When I listened to that one, I had already burned the London cast into my brain, and nothing else has ever sounded right to me.