Desaturating the colors, adding a layer of sepia, and the Tonal Contrast filter in Color Efex.
Mmm. Wife soup. I must've done good.
Wash ,'War Stories'
Buffista Movies 7: Brides for 7 Samurai
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Tom Scola - Oct 07, 2012 10:25:54 am PDT #22641 of 30000
hwæt
Matt the Bruins fan - Oct 07, 2012 12:31:52 pm PDT #22642 of 30000
"I remember when they eventually introduced that drug kingpin who murdered people and smuggled drugs inside snakes and I was like 'Finally. A normal person.'” —RahvinDragand
Did they set things up for Taken 3: And Your Little Dog, Too?
Ha! When I saw the trailer in the theater a few weeks ago, I immediately thought Taken 3: Honey, Have You Seen the Dog?
le nubian - Oct 07, 2012 12:54:57 pm PDT #22643 of 30000
"And to be clear, I am the hell. And the high water."
Critics panned Taken 2 and yet I think it made $50 million this weekend.
Damn.
Connie Neil - Oct 07, 2012 2:53:50 pm PDT #22644 of 30000
brillig
People just want to see Liam Neeson kick ass. There are worse ways to spend a few bucks.
Scrappy - Oct 07, 2012 2:55:02 pm PDT #22645 of 30000
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.
Connie speaks truth.
le nubian - Oct 07, 2012 3:11:59 pm PDT #22646 of 30000
"And to be clear, I am the hell. And the high water."
But Taken was bad.
Point taken.
§ ita § - Oct 07, 2012 3:20:47 pm PDT #22647 of 30000
Well not canonically, no, but this is transformative fiction.
Okay--I get what was confusing the shit out of me with Looper. Two things: 1. you can't affect your own past. So even if you do something that means old Joe never goes back, or whatever, your past won't change. And, secondly, the timeline works both singly (young Joe scars old Joe's arm) and multiply (old Joe sits down for breakfast with young Joe as a result of the scar) at the same time. I most definitely do not get why it takes suicide to wrench the future away from killing Cid--surely the realisations young Joe has along the way, getting clean early, bonding with Sara and Cid--don't those change that precise future Joe enough that a) he might not meet the Chinese woman who doesn't rate a voice or a name and she certainly doesn't need to clean him up from the lamest DTs ever and b) plain has had enough epiphany he won't kill the kid he likes (even if he hasn't quite grown enough to not kill a kid he doesn't know)
And then there are the non-time travel WTFs, but whatevs.
Consuela - Oct 07, 2012 4:14:50 pm PDT #22648 of 30000
We are Buffistas. This isn't our first apocalypse. -- Pix
The concept of this vid (and accompanying story) is really pretty cool: [link]
Basically: every character Jeremy Renner has played in the last ten or so years is actually Clint Barton undercover.
§ ita § - Oct 07, 2012 5:32:46 pm PDT #22649 of 30000
Well not canonically, no, but this is transformative fiction.
Thanks for that, BTW, Tom. I'll see if I can work out how to do that in Elements.
le nubian - Oct 08, 2012 10:50:45 am PDT #22650 of 30000
"And to be clear, I am the hell. And the high water."