That was C. Thomas Howell!
I also teared up at the crane scene. I love shit like that.
'Our Mrs. Reynolds'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
That was C. Thomas Howell!
I also teared up at the crane scene. I love shit like that.
That was C. Thomas Howell!
Ponyboy was Jack's Dad? I'll be damned.
His career these days seems to consist of crappy movies that my husband watches on Netflix streaming, so I totally recognized him.
Ponyboy was Jack's Dad? I'll be damned.
Yes, literally, he is credited as "Jack's Father."
Dana, I love that shit too. It was like the subway scene in Spider-Man 2. I am a sucker for people doing good things.
It totally reminded me of the subway scene in Spider-Man 2. (I originally typed that as the Subway scene, which would have been a very different movie. "I am *fighting crime,* okay? I'll take that footlong meatball sub to go!")
So I just watched this Michael Shannon movie called Take Shelter. Has anyone else seen it?
I thought it was excellent, but I was left wondering if we were supposed to take the ending literally, or metaphorically, or both, or what. Because it kind of works any way you cut it, and it's kind of messed up any way you interpret it.
Every time I hear Steve Blum's voice I think of Spike Spiegel
He sounded very much like Spike in this movie. Similar vocal mannerisms and everything. Plus, the characters themselves were very much of a type.
I have to say I'm very glad we've reached the point where we have so many talented voice actors that make a career of it, rather than a handful of people making "funny voices" as well as some drama class rejects.
Used to be the only time you got a good performance (outside of Mel Blanc or a Disney movie) was when a regular TV/movie actor was "slumming it" in voice work.
I want to say it started changing in the 90s with shows like Batman and Gargoyles, but maybe it was a bit sooner. I know anime dubs and video games didn't start catching up until later. I know Cowboy Bebop was held up as the gold standard for dubs for a long time.
I want to say it started changing in the 90s with shows like Batman and Gargoyles,
Andrea Romano certainly had a huge effect on the animation industry, but it should be noted that American animation was in serious decline until The Simpsons/Roger Rabbit/Batman: The Animated Series came along.
Spielberg deserves some credit for launching Animaniacs and Looney Tunes and giving people like Rob Paulsen, Tress McNellie and Maurice Lamarche worthy outlets for their talents.
America has always had a tradition of excellent voice acting, going back to radio. The talent has always been there; June Foray has been working steadily since the 1940s. What happened in the early 90s is that TV animation became more sophisticated, and directors started demanding more subtlety from their actors.