'Bring On The Night'
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
Wasn't Wallis Simpson a Nazi sympathizer? I mean she really does not come out looking very good on any dimension.
What galls me is that they blamed her for Edward's own relationships with Nazis, which I think is utter bullshit.
Edward nor Wallis come out looking great in The King's Speech, and yet it was probably the kindest the movie could have been.
Consuela, I was meaning to post just that, when I saw the trailer before TTSS. I was very WTF about the relentless positivity and romantic OTTness of the trailer. And then...Madonna. Okay. I was indeed wondering if there was any credible modern angle that didn't make her look like a gold-digger at best.
Wasn't Wallis Simpson a Nazi sympathizer?
She was certainly suspected of it; some people even think she passed information about French defenses to the Germans when they were in France before the war started. According to Wikipedia, anyway. [link]
And then...Madonna. Okay.
Yeah, far be it from me to psychoanalyze someone I've never met, but I can't help but think Madonna feels a lot of sympathy for a woman who became simultaneously enormously famous and enormously vilified, in roughly equal measure.
But I think she'll have to do some serious cherry-picking from history to pull it off...
I haven't watched Alien in years. Should I watch the theatrical version or the "Director's Cut"?
I haven't watched Alien in years. Should I watch the theatrical version or the "Director's Cut"?
Well, the theatrical version is just about a perfect movie of its type. And I'm starting to trust Riddley Scott less with the Director's Cuts after the third do-over on Bladerunner.
Theatrical it is, then. Even he said he was perfectly happy with it to begin with.
I really liked the Director's Cut, but I think it's the only version I've ever seen. I saw it in the theater, and it was mind-blowingly awesome.
According to Wikipedia, the Director's Cut removes five minutes and adds four minutes. I would have gone ahead and watched it if it were just adding stuff (but Scott actually thought it was too long as an "expanded" edition), but I don't want to LOSE stuff from the classic version.
I really really liked it, but I know I'm not finished with it. It is complicated and subtle and the heavy lifting is up to you (I couldn't work out any way the flashbacks were being signalled, for instance, other than you realising this couldn't be taking place during the main timeline-was there some visual or audio cue I was missing, or was it really all in the narrative?).
I read the book this year and it jumps all over the place. However, I finally got Disc 1 of the Alec Guinness version and can't believe it starts at the end with the whole initial Tinker Tailor code setting meeting with Jim and Control.