I'm partial to this one, but it may be too reasonable for your purposes:
[link]
ooh! thank you both. I think I will read BOTH tonight. I will read while Beau cooks dinner.
BTW, the comments on the boston.com review are hilarious. The Bay of pigs/Cuban Missile Crisis back and forth amused me.
Alan Rickman's goodbye letter to The Potterverse: [link]
OMGICANNOTLOVEHIMMORE
I'm ready for chapter two of
The Tragic Love Story of Erik and Charles
now. I'll have to settle for watching chapter one again, won't I?
One thing confuses me. If Erik grew up in Germany and Michael grew up in Ireland, why does Magneto sound kinda Welsh?
I heard Irish, not Welsh.
Oh I'm such a dork. I was thinking he sounded like Dylan Moran and for some reason I thought Moran was Welsh. Oops.
I am sad about the GL reviews.
Another blistering (but funny) GL review (from IO9):
*****
Ryan Reynolds' disembodied face spends large chunks of Green Lantern floating around in an ocean of computer-animated cheese. Because Reynolds' face tells the entire story, he works overtime to try and convey what's actually going on. Reynolds' face looks freaked out, or determined, or sometimes kind of constipated, as he tries to summon up reserves of willpower.
And the battle between Hal Jordan and the film's villain, a sentient cloud named Parallax, is largely psychological. Parallax is a creature of fear, so Hal has to defeat the monster by getting past his own emotional hangups. This is kind of hard to convey on the screen, and it doesn't help that the green power of Hal's ring often comes across as a collection of abstract computer polygons, against a background of other computer polygons. The whole thing feels like a really bad group therapy session where someone spiked the water cooler with magic mushrooms.
If I had to sum up Green Lantern in one phrase, it would be: "Abstract art about daddy issues."