That was the best practical (in camera) weightlessness I've ever seen (outside of Apollo 13, which used actual weightlessness).

Okay, as I said, I think I need to see Inception three or four more times to really get a handle on it. I still need to catch up on all the white font, but here's my take:

I'm not at all convinced that there's a single moment of that film that takes place in the waking world. I got the distinct impression very early on in the film that we were watching Nolan's Finnegan's Wake.

P-C, I want to respond to this post and say that I felt like I caught several hints throughout the film that the "reality" level was, in fact, a dream. I have to see it again before I can list them off, but I felt like there were some tantalizing hints there. The most significant being that his kids hadn't seemed to have aged AT ALL, despite the fact that Cobb gave the sense that he had been an expat for a while, and those kids were clearly at an age where days, weeks and months bring about significant changes, let alone years.

I'm not at all convinced that [spoiler font]

Me neither. I think beginning the film the way we do, dropped right into the middle of the action, is a big clue to that effect.

And the best part is that it doesn't matter. I think Nolan's whole point was that the relevant part of the movie, the emotional journey, is completely irrelevant to the plot, even in super-plotty action movies.

Also, I'm very amused that Salt opened #2 this weekend, so not only did Chris Nolan just kick Angelina Jolie's ass, he's got better legs too.

Or, should I say that the plot is completely irrelevant to the emotional journey? I don't know. They were both fun and satisfying in the movie, and had almost nothing to do with each other, on purpose. I'm sure I'm not making any sense at all.

I saw Inception this afternoon. Wow! I haven't been that mentally engaged in a movie in ages.

saw Inception this afternoon. walked away loving the character of Arthur the most. that was a badass fight sequence.

I think it was a tossup for me between Eames and Arthur. I loved the way they needled each other. Very cute.

And Marion Cotillard is just breathtakingly beautiful.

Also saw Inception this afternoon, and will definitely need to see this one again. I do agree it doesn't matter in the end if it's the "real" world or not. To quote Giles in Restless (probably imperfectly): "Oh, I get it now. It's all about the journey!"