I have mixed feelings about agreeing with Salon, but I'll take it. I’m sad they didn't mention that projections are basically the audience. (Screw around the world you've established, and people notice. And get pissed off.) The other simple example is Arthur's "give me a kiss" thing. It's funny only because we've seen that in other movies.

I definitely agree that the ending is meant to be ambiguous and that trying to come up with a definitive "answer" is good fun, but... we can't know for sure, and neither can Cobb. And I think that's the actual point; it's not meant to be a puzzle you go through frame-by-frame to solve.

Strega, I agree. As Rao said, the important thing about the ending is that Cobb walks away without looking to see whether the top fell. He's going to accept this as reality, regardless. Just like me.

Well... I have trouble with that as well. If that was what we were supposed to hold on to, the camera would follow him out instead of moving back to the top.

But we've already seen him walk outside. He made his choice. The camera goes to the top because the audience has not, but then, in a sense, forces us to make the same choice Cobb did: not knowing.

How would that be different from following him out? Either way, what we know is incomplete.

And Cobb has an option we don't: he can come back to the table later. Except he can't, because his movie ended.

I imagine that Cobb comes back to find the top fallen over. Except there's a cat on the table so he can't know whether it fell over on its own or not.

This YouTube video won't play for me, but supposedly it's cool:

Princess Bride Recut Trailer

It's recut as a horror trailer.

Even better is Mary Poppins recut: [link]

Yeah, that's the one that started the whole "recut trailers" thing, right? It's still a classic.

The Shining as wacky heartwarming comedy is brilliant: [link]