I think people may be noticing more because it can be argued that the new album is especially musically pretentious as well.
'Trash'
Buffista Music 4: Needs More Cowbell!
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
Sounds like my kind of thing. I love Crane Wife.
How have I not heard of the Black Cab Sessions until now? A cabbie in London picks up a musician, the musician plays a song while riding around, and the whole thing is videotaped. Here's Calexico: [link]
It's very similar to the Take-away Sessions, in look and premise...I wonder if they are somehow related.
Am in a cafe, waiting for breakfast while they play the radio. "Come On Eileen" was just on. One verse from that song always seemed weird to me:
These people round here wear beaten down eyes
Sunk in smoke dried faces they're so resigned to what their fate is,
But not us, no not us we are far too young and clever.
Remember Toora Loora Toora Loo-Rye-Aye
Eileen I'll hum this tune forever.
That verse always struck me as ironic; I foresee Eileen and the singer ended up just like all the other "people round here." (If Eileen and the singer are even together in the future.)
ETA: It's the "We are far too young and clever" that seems ironic. Obviously, they won't be young forever.
Thoughts?
Perhaps I should have coffee....
See also, "Born to Run"?
That is to say: I don't know if ironic is the right word, but I think we're supposed to recognize that escape is unlikely.
Phil Spector: Guilty
Does anyone have the lyrics to Clayhill's "Afterlight"?
I was trying to remember the words to Ain't Got No and I found this.