OK, "(Wish I Could Fly Like) Superman" is posted. I'm sorry, but my version of "Destroyer" is an older iTunes download that has DRM, so you can't use that one. When I get home I'll see if I can find a blank CD to burn it to and then rip to .mp3. (I've got a ton of blank CDs... somewhere.)
'Sleeper'
Buffista Music 4: Needs More Cowbell!
There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.
Man, those Kinks albums from the 60s are great. I'd go all the way to Muswell Hillbillies and quit after that. Arthur and TKATVGPS are my favorites, though.
What are the most fun Kinks songs to play live, Hayden?
On bass, it's either "Victoria" or "Do You Remember Walter?" 'cause both have excellent rip-roaring basslines. On guitar, I've thrown "Big Sky," "Picture Book," and "Animal Farm" into the mix, but all of those are mostly about the singing.
Speaking of covering the Kinks, my all-time fav Kinks cover is "Days" by Kirsty MacColl. Though "Stop My Sobbing" by Ray's ex-gf is pretty awesome too. I also dig the hard drum assault of the Romantics on "She's Got Everything." Does everybody realize that the drummer on the Romantics sang lead on "What I Like About You"? Weird, huh? Big hulking dude, too. Rest of the guys were tiny. I think I saw them live about four times.
Day off before the last of 7 My Chem shows.
Just FYI: If you ever have the chance to see them play in Jersey DOOOOOOOOOOOOOOOOOO EEEEEEEEEEEEEEEEEEEEETTTTTTTTTT.
But only if you like 2 hour sets. And Sorrows.
And Frank stage diving to the fourth row.
Where'd you see them, Trudy?
So during this last group's interminable van rides, we got into a big argument about music. Perhaps unsurprising, you get a bunch of artists together, they're going to argue. But I thought the premise for this one was fascinating, and wondered if Buffistas had an opinion.
My opponent's argument was that the umbrella/root of all modern music was rock. I and my compatriot argued that it is blues.
He says that music critics (Rolling Stone?) say it is rock, and I say that the said critics are often subject to a racial bias (okay, I didn't bring up race until a good half-hour into the conversation, but still, I think it figures) that prevents them from acknowledging blues.
I think blues is much more fundamental to the various genres of music that have emerged since the era in question, influencing both form and harmonic structure. I see rock as springing from blues, along with many others.
What do you guys think? Do you see rock as a better overarching term?
Rock *was* born of the blues, so I don't really see how you can skip over it.
Blues all the way.