If every vampire who said he was at the crucifixion was actually there, it would have been like Woodstock.

Spike ,'Same Time, Same Place'


Buffista Music 4: Needs More Cowbell!

There's a lady plays her fav'rite records/On the jukebox ev'ry day/All day long she plays the same old songs/And she believes the things that they say/She sings along with all the saddest songs/And she believes the stories are real/She lets the music dictate the way that she feels.


Spidra Webster - Sep 09, 2010 10:05:07 pm PDT #3456 of 6436
I wish I could just go somewhere to get flensed but none of the whaling ships near me take Medicare.

I feel bad for her. I relate to her story a lot.

What's a little weird is it used to be that a writer couldn't block someone from doing their song as long as they'd paid for the rights. But maybe that was because so many writers didn't own the rights to their publishing back then.

Today I got out the Crosley Archiver and played some of my 45 rpm collection. My very first records were 45s my mom and aunts had from the '50s. My collection includes those as well as stuff I bought myself when it was current ('70s and '80s) and stuff from the '50s and '60s that I've picked up used at record stores and thrift shops.

It's really been at least 10 years since I've played them. I was in too many living situations where I didn't have good access to my record collection and it was a lot of physical hassle to get them on the turntable. It was neat to hear some of them again although my mom was a lot less nostalgic about her old records than I thought she'd be. They had at least a couple records that I thought her uptight '50s parents would freak about including a rockin' black gospel track. But they also had syrupy lily white stuff. In-between were some solid rock and pop tracks including Johnny Otis, Jerry Lee Lewis, and more. But the gems are the things that aren't reissued. Like a track called "Exsanguination Blues".

Not long before I had to move, I took my KLH turntable/radio console in to get fixed. Only one channel was playing. I told myself I wouldn't fix it if it were more expensive than $60 or so. But the guy called me with the estimate at a tense distracted moment so I actually said yes to $150 in repairs. I also bought a Crosley Archiver when the house sold because I mistakenly thought it would semi-automate the process of digitizing my records and tapes. It doesn't. So now I had two turntables. The Crosley would cost nearly $50 in shipping to return to Amazon. But I'd sunk $150 into the KLH. Which would I keep?

Playing all those 45s tonight got me closer to my decision. The Crosley has a CD player, AM/FM radio, cassette and 33/45/78rpm turntable all in one compact unit, including the speakers. My KLH has only turntable and radio and speakers take up more room. Cassette and/or CD players can be used through AUX but also take up more room. However, the KLH has a lot of sentimental value (it was my parents stereo when I was a child). It has a 16rpm speed in addition to the others. And I was pretty sure the turntable quality would be better. While the Crosley has been fine on 12" LPs, it choked on a number of 7" 45s tonight. I'd look at the singles and there'd be no trace of a scratch or scuffing yet they'd skip. I think it's just not as well balanced and able to accommodate individual record differences.

So I will probably sell the Crosley soonish but I really have to find a way to solve my tabletop footprint problems with the KLH and assorted pals.


Jon B. - Sep 10, 2010 1:12:42 am PDT #3457 of 6436
A turkey in every toilet -- only in America!

What's a little weird is it used to be that a writer couldn't block someone from doing their song as long as they'd paid for the rights. But maybe that was because so many writers didn't own the rights to their publishing back then.

Anyone can perform or record a cover without the specific permission of the songwriter, but I'm pretty sure that *broadcasting* that cover on American television is a different kettle of fish.

t edit It might be that there are set fees for recording a cover version but the broadcast rights are negotiable. So, effectively, the songwriter can prevent the broadcast of a cover by asking a ridiculously high fee for the rights.

The story's been updated: Reed's rep is telling the media that the incident was a matter of song-rights clearance for American television, not Lou's personal objection, and that the clearance issues have nothing to do with Reed himself.


Sue - Sep 10, 2010 2:56:56 am PDT #3458 of 6436
hip deep in pie

The story's been updated: Reed's rep is telling the media that the incident was a matter of song-rights clearance for American television, not Lou's personal objection, and that the clearance issues have nothing to do with Reed himself.

I did think it a little weird that Lou Reed was personally handling rights permissions for his songs.


Scrappy - Sep 10, 2010 8:34:56 am PDT #3459 of 6436
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.

And I know rights permissions run very close tot he wire. Even on big Network shows. We had to stop captioning lyrics of background songs on some shows, because they would end up not getting rights and switch the song the day of broadcast, too late to change the captioning.


Daisy Jane - Sep 10, 2010 8:50:22 am PDT #3460 of 6436
"This bar smells like kerosene and stripper tears."

Is that why sometimes lyrics are captioned and sometimes there's just little notes?


Scrappy - Sep 10, 2010 8:53:37 am PDT #3461 of 6436
Life moves pretty fast. You don't stop and look around once in a while, you could miss it.

Yup.


Daisy Jane - Sep 10, 2010 8:54:42 am PDT #3462 of 6436
"This bar smells like kerosene and stripper tears."

I'd always wondered that! Knowing may be half the battle, but knowing buffistas will win it!


tommyrot - Sep 10, 2010 12:15:54 pm PDT #3463 of 6436
Sir, it's not an offence to let your cat eat your bacon. Okay? And we don't arrest cats, I'm very sorry.

Classic Photos of Jazz Musicians From The Library of Congress

Over at Flickr, the US Library of Congress just posted some amazing, copyright-free photos of jazz musicians taken by William P. Gottlieb that document the “Golden Age of Jazz” in New York City and Washington, D.C. from 1938 to 1948.

The actual flickr set: [link]


Spidra Webster - Sep 10, 2010 12:54:48 pm PDT #3464 of 6436
I wish I could just go somewhere to get flensed but none of the whaling ships near me take Medicare.

I'm so grateful for those libraries and museums that are uploading stuff to Flickr. Those photos are great but they're just the tip of the iceberg of amazing stuff that's out there.

Last night I was talking to my new acquaintance about country. I used to think I hated country, too. And that was before country became middle-of-the-road rock with a cowboy hat. So today I've been poring through YouTube trying to find her examples of the real deal. So far I've linked her to Bob Wills, Hank Williams, Maddox Brothers & Rose, Buck Owens & the Buckaroos, The Delmore Brothers and a couple more.


msbelle - Sep 10, 2010 1:01:09 pm PDT #3465 of 6436
I remember the crazy days. 500 posts an hour. Nubmer! Natgbsb

Sorry if this was posted earlier, but NF just tweeted, and could Seth Green be any cuter? [link]