That is awesome, Typo. I don't know if that would work better as a ballad or a country song.
The Great Write Way, Act Three: Where's the gun?
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
Deborah Grabien thinks something in the style "Walking After Midnight" but with a 3/3 beat.
Dumb question, but might be pivotal to the right(or wrong) reader. It's 1992 in my story and my characters have ordered a pizza...how much do they pay? Because the last thing I want is to go by my memory and have some reading along all "Sure, if they get it from Italy!" I was alive, of course, just not very practiced at paying for things yet.(Which is sort of the point of this story, actually.) It's not a huge part of the story, or anything, just that the pizza guy kind of touched of a family argument and wants to bail.
I think it was usually about $10?
I mostly have the memory that when we would split a pizza in the late 90s $1/slice was a reasonable expectation. So $12 ish?
I remember Mom would leave us $20 in high school during that time period, and we'd be able to get an extra large pizza with a few toppings and give the delivery person a few bucks tip and have change. So, maybe $12 for the pizza with a $3 tip.
Ok, thanks. It's weird the things you miss being a late bloomer your whole life.
Do you always know whose POV you're going to tell a story from? Because I thought I did, and then, I tried alternating, but maybe for a short story, one clear voice is better...how should I decide?
Will you have room in a short story to tell enough to justify two POVs (or more)? If it works, it works.
That is a thought--I could do the rewrite with the idea of keeping both viewpoints...maybe there's another reason the story doesn't work.