yeah, that's me, leaving a trail of salt chocolates throughout the interwebs.
The Great Write Way, Act Three: Where's the gun?
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
Tauntypants.
better than easter eggs.
Mmm, Easter eggs.
That's very cool about the YA proposal, Barb!
That sounds great, Barb.
I have been reading a variety of paranormalish books recently, and they almost all seem to involve an increasingly powerful protagonist, politics, conspiracy, sex and the end of the world. Is there a market for something more whimsical, like a book titled something like A Rumor of Trolls? I have an Idea.
Know nothing of fiction markets, but intriguing title.
Is is for kids, Ginger?
There's definitely stuff out there with paranormal aspects that aren't end-of-world, but they still have high stakes for the protagonist *or* they lean toward the funny. Nova Ren Suma's forthcoming Imaginary Girls is an example, or Sarah Mlynowski's Bras and Broomsticks series. Also something like Brenna Yovanoff's The Replacement, which is more horror than big paranormal epic.
I'll look those up, Amy. It's not so much that I want to write to the market as to whether there's a market at all.
I'm thinking adult, since the protagonist has to old enough to have freedom of action and a car. The basic idea is what happened between Puck of Pook's Hill, when the Fair Folk fled England, and Clifford Simak's Goblin Reservation, in which the trolls, goblins, banshees and the like are protected on a reservation. Our heroine inherits the job of protecting the last remaining old ones, along with a groundskeeper who may or may not be Puck. She researches odd phenomena looking for these remnants. The stories could include finding and saving them; using their powers to help others; and killing the ones who are dangerous. In the meantime, the house and grounds she inherited are full of squabbling pixies, house hobs who disagree about housekeeping, trolls who keep building bridges, and so on.
The POV character could be a kid who helps the protagonist if you wanted to aim it younger.
I'm 40,000 words into Cog now and I'm in the midst of the big middle story events. Fun.
This is my current description of the project:
Cog is the first girl to become an apprentice to ‘Mack’ the Queen’s Master Engineer. Only nobody knows Cog is actually a girl, or that she really wasn’t supposed to be an apprentice at all. Keeping herself a secret from Mack, her roommate, and everyone else in the Steel Tower is only the beginning of her troubles. When items and gizmos start to go missing, it looks like one of her best friends will take the blame. While trying to help him, she discovers a much darker plot that threatens to throw the whole kingdom into war. Fixing kingdoms might not be the same as fixing an automechanical potion mixer, but Cog has a set of precision screwdrivers and isn’t afraid to use them.