That's ... an awful big power. Like in your example of a war scenario above: where is the projector when s/he imagines this outcome? Because what you're saying (I think) is that then s/he would be in the middle of a battle or something, yes? So the battle appears ... in that office? Or the projector goes to it?

I know, right? Which might take it beyond the realm of my ability to portray it in any kind of convincing way. But yeah, you've got the gist of it down-- although I'm not certain either whether the projectionist could create the scenario is a big warehouse-y sort of edifice (again, ala a holodeck sort of thing) or they'd have to be taken to a location.

Which... actually... kind of presents an interesting scenario there. Being able to project/shift reality in a way that makes it seem as if a significant amount of time has passed, but then when the projectionist "comes back" only a few seconds have passed.

I dunno... it's a big, jumbled mess and like I said, it just literally flashed in my mind and I scribbled down everything I could think of.

I have to stop watching films like Inception late at night. It fucks with my mind way too much.

OK. One more question. Billionare wants a painting that is not for sale. Pays projector to visit projection where it is for sale and buys it. Can Billionare bring projection version of painting back with him to our world? If projected world has a cure for cancer we don't, can billionare visit projection hospital get cured and come back healthy? Can billionaire look up the details while he is at it, and bring back the secret of the cure to our own world?

Okay, that's different from what I was thinking.

I was thinking perhaps than for a brief period of time they could change the outcome of a probability. What if person A decided to say 'no' instead of 'yes' and, bang!, reality has shifted. But once manipulated a probability can never be shifted again and once the time window closes it's done with. Could get really strange if you have two of these people trying to accomplish different goals, reality could be changing all over the place.

And again, I would not worry about means yet. Equipment no equipment, warehouse no warehouse - let the story decide that.

Ursula K LeGuin wrote the Lathe of Heaven about a far more powerful version of what you are talking about invoked simply by , well won't contaminate your process by talking about what others have done. But what you are talking about is not something we have any idea how to do anyway. It is a mistake to focus on the how anyway. It is like those SciFi writers who spend pages explaining how FTL ships work. Dude, if you know how to do faster than light travel don't waste your time writing novels. Otherwise don't waste our time: neither of us knows how to do FTL. Just take it for granted, along with any limitations or extra features your story requires.

Billionare wants a painting that is not for sale. Pays projector to visit projection where it is for sale and buys it. Can Billionare bring projection version of painting back with him to our world?

No-- I'm not envisioning that physical spoils can be brought back from projections-- more like a broader application of the premise from the television show Early Edition. The protagonist got the next day's paper and always saw something that he would engender to change.

Maybe something like that?

This is very headache inducing, which is probably why I shouldn't think of stories like this. ::headdesk::

OK got it - information only, but you some risks. IF you are bitten by a ratttlesnake maybe when you come back no actual venom or infection but your body has reacted as though you had, so if you have a dickey heat you could still have heart attack. If you are shot, somethign super traumatic even if you are healthy you could get a heart attack from having experienced it.

Barb, maybe write the background out, sketch a few short scenarios, and then see if the result prompts character action? Sometimes it's not the technology, it's how the characters behave in relation to the technology that is compelling.

Dude, if you know how to do faster than light travel don't waste your time writing novels.

SNERK. Also, yes.

May it's because I've spent way too much of my life dealing with probabilistic risk assessment, but I'm thinking you could make it a smaller and more likely power. Probabilistic risk assessment rates how likely something is based on the probability of the individual events that can lead up to them. Suppose your hero could mentally zip through the probabilities and pinpoint how to shift small things for the desired result.

Suppose your hero could mentally zip through the probabilities and pinpoint how to shift small things for the desired result.

That's sort of like Longshot.

Barb, what you described sounded more, to me, like Total Recall or a virtual reality video game, except with probabilities, so that a projectionist could create a scenario for someone to walk through and explore and see what might happen based on what he or she did.