Hey, the email was really positive, Allyson. I can't imagine she would have said all that with no intention of sending it out. But always good to ask and clarify, that's for sure.

I just opened the Carmen manuscript for the first time since I finished the revisions Adrienne had requested before she sent it out. Immediately, I zeroed in on a chapter that's been giving me fits since revision #2 way back when. I like what's in the chapter and the emotion and attitudes it's supposed to convey, but I'm still twitchy about the execution. However, I will resist doing ANYTHING until I receive the revision notes from my editor. It'll be interesting to see if it jumped out at her in any way-- if it didn't, I'll probably still ask her about it, just to get her take and see if anything jumps out at her or if she has any suggestions for making the chapter work better.

It's really exciting to be looking forward to the revision process again. It's one I really do enjoy when it's a good back and forth of ideas and brainstorming.

Totally, I don't think she'd be asking for the two dialogue edits just so it would be a pretty pile of paper. I just need more, "what comes next" information.

With Vampire People, I had an idea of who would be a good target (indie publishers), what the process was, etc. This is my first time with fiction, sending an entire completed manuscript off without all the attendant paperwork (market analysis, bio, annotated bibliography, blah blah non-fic cakes).

Submitting fiction is a different animal, to be sure. But she'll still include your previous book in her cover letter, which is a plus. It's always nice to find an author who has some experience and knows at least a little bit about how the process works.

Yeah, from what I understand, submitting non-fic versus fic might as well be like working in two different industries.

The one thing you do have to prepare yourself for and I tell you this way ahead of time so that it won't catch you by surprise, is that if she submits to true children's publishing houses (which, since Sam seems to be geared at MG, would seem the likely assumption) be prepared for the publishing process, once it's accepted to potentially take a LONG time. For whatever reason, children's publishing houses move at the speed of molasses in winter. Just as a side-by-side comparison, I sold Adiós to MTV Books, which is a young adult imprint within an adult imprint (Pocket) of a corporate publisher (Simon & Schuster). As such, I worked at a pace typical of most commercial adult houses: I sold in July of '05 on proposal, contract was finalized in late August, first draft turned in by mid-October. I did one major revision that was due in late December. After that, it was easy peasy: copy edits then galley proofs, and the book was published on July 4, 2006, literally a year to the day after I wrote the initial proposal. The timeline for Accent was similar, about a year overall.

Then, I sold Carmen the first time to Dial Books for Children-- so a strictly children's/YA imprint which is part of a larger corporation (Penguin Putnam). I also sold on proposal (in April of '07) turned in a finished first draft by early September, and then started the process of revisions. I was shocked when I was told right off the bat that in all likelihood, the book wouldn't be released until Spring of '09 at the EARLIEST. And that was only if a slot somehow opened up. More likely was late summer/early fall or spring 10. I was utterly thrown, but found out quickly, this is very, very common for children's publishing. Anyone I know who's sold to a house that does exclusively children's books has had no less than an eighteen month wait between sale and publication and more commonly, close to two years.

Again, I'm not telling you this to freak you, but to hopefully keep you from freaking out when Sam sells. I have NO idea why children's publishing works on such a different schedule from adult publishing, but it does seem to be very common. Children's houses also seem to be very in love with revising over and over again-- it really is a totally different mindset and one I'm not terribly well-suited for because while I like revisions (a lot, actually) I also think there's such a thing as too much. I also don't like editing by committee, which seems to be what happens in the children's houses.

I actually told my agent when we submitted Carmen this time around that if it came down to the choice between an adult house that had a YA imprint versus a children's house, that it would have to be a RIDICULOUS deal for me to choose a children's house over an adult house. Which is why I'm SO freakin' happy I'm at St. Martin's.

I have a friend who's a YA writer. She writes a book a year and doesn't expect them to be published until at least two years after she submits a completed manuscript. It does seem a lengthy process.

Congrats on the feedback, Allyson - that sounds amazing.

Yeah, I already heard that the earliest the first book of mine will be published is spring 2011, more likely fall.

Thanks so much for that, Barb, you've answered a ton of questions. I'm submitting a completed manuscript, so at least there's that. Non-fic does seem to be a completely different animal (am I the only non-fic writer in great write?) and it was about a year from sale to published with a 3/4 complete manuscript. And i was constantly told to not expect much out of non-fic. Essays seem to be next to poetry in sales, but I always look at stuff like Sedaris and Vowell and think, "I CAN DO THAT I SWEAR!"

And then I come down from the craxy.

This was hugely difficult. I am just in awe in all of you who write fiction. It's so fucking hard.

It's not easy, but it can be fun!

I've written essays before and loved it, but factual non-fiction makes me shudder in fear. Actually having to know what you're talking about? And back it up with research? No way, dude.

I like to make stuff up.

am I the only non-fic writer in great write?

You are not, but you are the only PUBLISHED non-fiction writer. Suggestions always welcome.

Serendipity!

And back it up with research?

Aside from the talking bat thing, I got to immerse myself in quite a bit of bat research, spoke with a bat rescue in the UK, ask questions of bat researchers, and tons of videos of my species in flight. It helped get me through it, to try and imagine my own self as a bat, which is probably screwed up.