yes. I am with you there.
this whole season has been bullshit. Even Cho BROKE HIS BACK!
Zoe: We're getting him back. Jayne: What are we gonna do, clone him?
'War Stories'
Procedurals 1: Anything You Say Can and Will Be Used Against You.
This thread is for procedural TV, shows where the primary idea is to figure out the case. [NAFDA]
le nubian - Dec 16, 2011 3:51:15 am PST #8528 of 11831
"And to be clear, I am the hell. And the high water."
Jesse - Dec 16, 2011 6:45:40 am PST #8529 of 11831
Sometimes I trip on how happy we could be.
I am really proud of myself for breaking up with The Mentalist.
brenda m - Dec 16, 2011 6:51:52 am PST #8530 of 11831
If you're going through hell/keep on going/don't slow down/keep your fear from showing/you might be gone/'fore the devil even knows you're there
Mark Sheppard on Prime Suspect!
Wasted.
§ ita § - Dec 16, 2011 7:07:13 am PST #8531 of 11831
Well not canonically, no, but this is transformative fiction.
The Mentalist is now in some alternate reality of "Seriously? SERIOUSLY??" for me. But I haven't stopped watching. Just, nothing can make any real sense after that legal verdict. That was so much bullshit.
It's the fault of the male leads. Well, all the leads other than Robin Tunney, who I'm "enh" about. I do like the rest of the cast quite a bit.
Zenkitty - Dec 16, 2011 12:17:31 pm PST #8532 of 11831
Every now and then, I think I might actually be a little odd.
I haven't watched every episode of The Mentalist this season, but it seems that Lisbon can no longer do anything without consulting Jane. Last night's Amnesia Episode, he laid down to sleep and told her he'd give her The Answer in the morning, and damned if she didn't sit silently down beside him and POUT.
If I watch any more, I'll have to pretend that Jane shot himself after he shot Red John and now he's in a coma and dreaming all this crap. For once, the It Was All A Dream storyline would be preferable.
Ginger - Dec 16, 2011 12:33:23 pm PST #8533 of 11831
"It didn't taste good. It tasted soooo horrible. It tasted like....a vodka martini." - Matilda
I think there are inherent problems in having a giant "I must find my wife's killer," "I must find out who framed me," or "I must prevent the apocalypse" storyline. If the writers don't go resolve those after a couple of years, they taint the storyline. They have to get to happily ever after, and then figure out what the prince and princess did next. I would have been much happier if Jane had killed Red John in a way that was shown to be self-defense, and then he found a new reason to keep working with the police. I also like there to be a hope for people to get better, but they're leaving him emotionally stuck.
brenda m - Dec 16, 2011 12:41:42 pm PST #8534 of 11831
If you're going through hell/keep on going/don't slow down/keep your fear from showing/you might be gone/'fore the devil even knows you're there
Yes. As they were getting to that point in the story I was curious about where they would go with giving Jane new motivation to work with the police. And, not so much.
aurelia - Dec 16, 2011 5:50:35 pm PST #8535 of 11831
All sorrows can be borne if you put them into a story. Tell me a story.
Prime Suspect had some good lines. "There's no murders in Norwegia. Just the occasional raised voice." "Our people dug the Erie Canal. Of course they can dig a hole through some sheet-rock."
It was interesting to hear Mark Sheppard doing an American accent.
§ ita § - Dec 16, 2011 6:38:58 pm PST #8536 of 11831
Well not canonically, no, but this is transformative fiction.
Ugh, this episode of The Mentalist is irritating.
Starting off from Lisbon getting so teary and panicky when Jane was being resuscitated.
le nubian - Dec 16, 2011 6:42:29 pm PST #8537 of 11831
"And to be clear, I am the hell. And the high water."
you haven't even finished it yet!