The premise seems to be that Mr. Finch built a massive surveillance system for the government. The government is only interested in terrorist activities, not in random people being involved - as victim or perpetrator - in day-to-day crimes. So he, as creator of the system with access to the information, has it spit out the SS numbers of those who will be involved.
'War Stories'
Procedurals 1: Anything You Say Can and Will Be Used Against You.
This thread is for procedural TV, shows where the primary idea is to figure out the case. [NAFDA]
But how does it know from the SS numbers who will be involved in crimes?
It sees all, knows all. Perhaps there's a lot of handwavium involved.
Finch wrote a program that predicts crimes. It makes two lists--relevant (big, terrorist) incidents and non-relevant (small, one person harmed) incidents. Finch made the system for his bosses, but he left himself a backdoor to the small incident list, since he knew they wouldn't pay attention to it. But it has to be a small backdoor, so they don't catch him. So all it tells him is the SSN of the person involved, and not whether they're victim or antagonist.
"My girlfriend died when I was saving lives halfway across the universe so I became a homeless man with the world's worst beard, woe is me, no one understands my pain..."
She died? I must have missed that. I thought she married someone else.
It was said in some episode that she died. And then in another episode it was said that she didn't wait for him. I have seen three out of order eps, so it's really possible I misread "lost" or something.
eta: Which makes him *way* more of a whiner
Wait, is he more of a whiner if she's dead?
When my girlfriend died, I got really close to becoming a scary homeless person, minus wacky beard and mad assassin skillz. I can see how the death of the only person one really cared about could make someone go a little nuts - especially if he was a little off-balance anyway - and emotionally healthy, totally sane and morally unimpeachable people make great friends, but boring television.
The Machine is just a computer. Even the man who built it doesn't know why it tosses out the numbers it does, or why a particular number comes out on top. It might even be random. All he knows is, it gives him a chance to save someone who otherwise wouldn't be saved. At least PoI provides a *handwavium* explanation for how they find the people they help, unlike, say, Leverage, which makes no attempt whatsoever to explain how people find the team. (Leverage is certainly the better show; I'm just saying.)
Wait, is he more of a whiner if she's dead?
I think ita was saying that he is more of a whiner if she is not dead.
AUGH, I hate the mangst born out of dead girlfriend / wife /mother cliche. Occasionally it's a dead father (H50) or son (Leverage) but most often it's some dead woman/girl solely existing to pad the manly hero's angst fodder and we hatesssss it! We hatesssss it so much! Of course in real life, the loss of a loved one is painful beyond imagining, but in fiction, especially in TV land, the whole trope is used with a laughable amount of abandon and is just a lazy shorthand in storytelling, IMO.
Handwavium ... would there be any TV without it?