I really shouldn't watch a creepy episode of Criminal Minds alone at night. Yeesh.
Giles: I'm sure we're all perfectly safe. Dawn: We're safe. Right. And Spike built a robot Buffy to play checkers with. Tara: It sounded convincing when I thought it.
'Dirty Girls'
Procedurals 1: Anything You Say Can and Will Be Used Against You.
This thread is for procedural TV, shows where the primary idea is to figure out the case. [NAFDA]
Cashmere - Jan 13, 2010 6:20:08 pm PST #4655 of 11831
Now tagless for your comfort.
beth b - Jan 13, 2010 6:35:21 pm PST #4656 of 11831
oh joy! Oh Rapture ! I have a brain!
just watched House.
hee.
and I knew the proposal was going to happen.
Any one know who was playing guitar at the end?
beth b - Jan 13, 2010 6:46:27 pm PST #4657 of 11831
oh joy! Oh Rapture ! I have a brain!
answer to my own question - Maggot Brain by Funkadelic
Cashmere - Jan 13, 2010 7:02:39 pm PST #4658 of 11831
Now tagless for your comfort.
Oh, damn, Reid going all righteous anger on Cmd. Riker! AWESOME!
§ ita § - Jan 13, 2010 8:03:23 pm PST #4659 of 11831
Well not canonically, no, but this is transformative fiction.
Now that he can walk again, he gets more screen time. Nice episode with no angst from anyone. But a nice piece of introspection nonetheless from Reid.
Vortex - Jan 14, 2010 5:19:39 am PST #4660 of 11831
"Cry havoc and let slip the boobs of war!" -- Miracleman
Also, a real maturation of the character. There was a time when that speech would have been delivered with a lot more hesitancy and less eye contact.
§ ita § - Jan 14, 2010 5:24:54 am PST #4661 of 11831
Well not canonically, no, but this is transformative fiction.
I don't know if the whole episode will get a rewatch, but I'll certainly rewatch his tirade at Frakes. It was lovely. It was very in the vein of his response to Strauss in 100. Definitely grown up.
Vortex - Jan 14, 2010 5:29:53 am PST #4662 of 11831
"Cry havoc and let slip the boobs of war!" -- Miracleman
Yeah, he's called people out before, but he was almost apologetic about it, and wouldn't look at them. This time, he was confrontational.
§ ita § - Jan 14, 2010 5:36:58 am PST #4663 of 11831
Well not canonically, no, but this is transformative fiction.
I remember and contrast his hurried exposition at that prisoner that Hotch was about to beat up (TWOP calls it Freud at the Improv--where he breaks down the guy's reason for killing to forestall a fight Hotch is bristling to have when the prisoner tricks them into being trapped with them) and his interview with Tony Todd's grieving character in The Fox where he plays up his awkwardness to get the guy to talk.
Both are examples of brilliance, but both are rife with nervousness. I'd have to look at episode titles and summaries to be sure, but I'm guessing it's a result of the loss of Gideon and beating the dilaudid addiction.
brenda m - Jan 14, 2010 5:50:10 am PST #4664 of 11831
If you're going through hell/keep on going/don't slow down/keep your fear from showing/you might be gone/'fore the devil even knows you're there
The chess scenes were a nice nod at how he's processed - still is processing - Gideon's departure.