I think that he mostly wants to hide the fact that he's investigating (and suspects) every single one of them. He doesn't mind violating the terms of the settlement, he doesn't mind being caught violating the terms of the settlement, but the investigation is the most important thing in his life. It would kill him if they made him stop investigating the crime.
Procedurals 1: Anything You Say Can and Will Be Used Against You.
This thread is for procedural TV, shows where the primary idea is to figure out the case. [NAFDA]
Vonnie, I've already been plotting out in my head how it'll go down if and when Dani discovers the wall. I even have a soundtrack.
Hee! Awesome. I sort of liked how it went down in "Trifecta." I doubt we'll have angry sex, but at least she'll kick the shit out of him then will ask, "what can I do?"
but the investigation is the most important thing in his life. It would kill him if they made him stop investigating the crime.
Oh yeah. For all his outward joviality, Charlie has a mental (metaphorical) wall set up the wazoo. He's guarded as hell and there is a level of calculation in every move he makes. And he's using his wall -- the literal Wall of Conspiracy -- as a mental clutch to sustain him, to fuel him, and get him focussed. If he lost that before he could figure it out, he'd fall apart.
More on Constance: as much as her character is bugging me lately, I still adore the actress' voice. It's just gorgeous.
Charlie/Dani (with the added partnership kink), Charlie/Constance (the love that daren't speak its name, etc.) For slash, you have Charlie/Ted
So Chani, Chance (or Chanstance) and Ched?
Too bad he doesn't have friend named Bud...
runs away
I CAN HURT YOU WITH MY BRAIN.
OK, not really, but I can totally rat you out to the anti-portmanteaux police! And they're going to come and take you away in the deep of the night to a special hell, where you'd be stuck with a legion of 13-year-old girls wearing bedazzled tube tops and pink Hello Kitty hairbands for ALL OF ETERNITY.
CSI:
What a fucked up weird episode this was. I hated the end. Since when does every single tv show do a voiceover letter to send out a character. "Criminal Minds" also did that this season. Sloppy sloppy shit.
Fucked up, and it didn't make any sense. What a shitty thing for Sara to do.
Not quite in character, was it?
They've never had any idea how to write Sara, let alone write her in a relationship with Grissom.
Although, Sara's never really been able to break out of her own Sara-world. To that extent I do think it was in character. But still a really shitty shitty thing to do.