They weren't good enough to make me enjoy Hey Soul Sister, but I liked their version of Teenage Dream better than Katy Perry's (which I also like, unlike the Train song).
It is kind of sad that Emma had to opt out of attending Sectionals for Carl's sake, given that she's been a secondary mentor figure to a lot of the Glee kids and in fact has kept their best interests in mind better than Will has on a number of occasions. It's not fair that she has to give up her closeness with the whole Glee Club just because Will sponsors it.
No, it's not, but it's realistic. She's the only person making grown up decisions on the show. She is putting her marriage first, in a realistic way. Will showed himself to be an inveterate ass during the Rocky Horror ep, and I can understand why her husband would be reluctant for her to spend time alone with him.
"Hey Soul Sister" is probably one of the worst pop songs out now and I previously hadn't HATED Train (hadn't liked them a whole lot, but now I really hate them).
The Office -- What was the point of that episode? That Oscar's a know-it-all, even if nobody ever mentioned it before? That Dwight can outsmart Pam? That Dwight's a greedy jerk?
I'd have liked to see Dunder Mifflin move offices. A plot line that could have carried two episodes on its own, plus provided subplots for three or four more.
right? I really wish they would.
Barney's face when Lily says 'we hate Kate Hudson' is the best face ever.
From this Sunday's Postsecrets: Daww.
Liese - THAT makes all the plot holes worth it.
Hee! javachik just emailed me from Dublin-- she spotted my book in the wild at a BN!
