I thought the scenery in Mohicans was gorgeous, but it did bother me, because it's clearly NOT Connecticut, et cetera. I know how the woods are supposed to look around there, dammit.

I felt the same way watching the Sopranos episode where Tony takes Meadow on a tour of colleges in Maine. NOBODY ever seems to get Maine right, unless they actually film there (and even then it can be a crapshoot). Which is strange, because New Jersey isn't THAT much further North - you'd think the foliage at least would be somewhat similar.

It didn't help that they actually had scenes where they were supposedly at Bowdoin College. I grew up using Bowdoin College as a playground; that was no Bowdoin College.

Interesting. I woner how those sites first got linked to the trailer,then...

I'm hoping for it to be a Lovecraft-inspired story, while bracing myself for it turning out to be a live action Voltron. But the man-on-the-street-fleeing-from-something-huge-and-terrifying quality reminds me of what I liked about The Call of Cthulhu. Hopefully Rob & Co won't save the day by getting the monster to chase them all over Manhattan in a cab.

why send Russian McHottie to kill Bourne? Aside from just wanting to see him in linen?

That reason is good enough for me! Karl Urban was damn hawt in that linen suit.

Going to see movies with my mom can be interesting; as a nurse, she has a tendency to visually dissect on-screen killings and can tell you if the person should actually be dead from the positioning of the bullet/knife/whatever. She was pretty happy with the end of Deathtrap, when the knife ended up in someone's back (I remember so little of that film that I can't recall if it was Caine or Reeve who got stabbed) and she said then that the person couldn't be dead from where the knife was located. Sure enough, he popped up later! Mom was all "I told you so!"

Wow, James Berardinelli gave Harry Potter and the Order of the Phoenix 3 1/2 stars!

With its fifth cinematic outing, the Harry Potter film series has ascended to another level...

When it comes to generating unparalleled audience hatred, however, no one does it better than Imelda Staunton, and that's in part because the smile rarely drops. She could shoot a man dead at ten paces with that smile...

With The Order of the Phoenix, Harry Potter has truly come into his own, fulfilling the promise of The Prisoner of Azkaban and The Goblet of Fire. These are no longer cute stories of wizards and magic and things that go bump in the night. They are dark tales where the themes and creature become increasingly distorted as the frames whiz by. The Order of the Phoenix is the best on offer to-date from the Harry Potter cinematic franchise, and one of the few reasons during the summer of 2007 to venture out to a multiplex.

A Letter to Optimus Prime from His Geico Auto Insurance Agent.

but as with a lot of my highschool reading I can't bear to read it now I'm no longer in highschool.

Man, this is so true.

I was not (and am still not) an Angsty Spy Novel person, so when I picked up the first Bourne novel, I pretty much put it down immediately. I gave it a running shot (this would have been mid-school? 6th grade?) but, no love.

Adore the movie, though. The fights are realistically brutal and quick (if often poorly filmed), and the settings look like they really look, not like James Bond-ian glitzy glam.

The Flick Filosopher also likes Harry:

this may be the best straight-up horror movie of the year -- I was riveted by the sinister sophistication of it.

I like that she focuses on what I think is the most significant of Harry's issues:

As Harry gets older and more conflicted, and Radcliffe matures into a fine young actor upon whose shoulders falls the tricky task of giving expression to Harry’s wounded inner psyche -- which Radcliffe does very nicely here -- Harry’s isolation, even among his closest Hogwarts friends, is more poignant, and more disturbing, than ever.

The still she chooses to use for the review is something I'm both looking forward to seeing and expect to be absolutely wrecked by.

The still she chooses to use for the review is something I'm both looking forward to seeing and expect to be absolutely wrecked by.

Crap, I'm tearing up a little even now.

*makes grabby hands at movie*

I'm bummed because I'll have to wait until either Friday or Saturday to see it (gotta work at the bookstore Wednesday night, and am on call for the store Thursday night).

I also might have to wait until the evening of Saturday, the 21st, to read Deathly Hallows, which ticks me off, but it looks like they're going to put the most recent hires on to open Saturday since most of the long-time employees are the ones working Harry Potter night. Oh, well, at least if they do that it means I'll have Sunday off to finish reading it/reread my favorite parts, as I always do.

Roger Ebert's review of OotP is enough to make me want to thwap him on the head. He spend it whining "Where's the whimsy?" and "My hope, as we plow onward through "Potters" Nos. 6-7, is that the series will not grow darker still. Yet I suppose even at the beginning, with those cute little mail-owls, we knew the whimsy was too good to last."

He insists on reviewing the story he would prefer to have seen rather than the one he did see, just like he did for LotR. Drives me crazy!