Inara: Who's winning? Simon: I can't tell. They don't seem to be playing by any civilized rules that I know.

'Bushwhacked'


Buffista Movies 6: lies and videotape  

A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.


Atropa - Aug 05, 2008 7:26:17 pm PDT #7512 of 10000
The artist formerly associated with cupcakes.

Oh dear, for some reason that never occurred to me, but DUH, yeah, I can totally see why that would be an insoluble problem for you Jilli. Damn shame too, because Pryce was AWESOME.

I may try watching it again and just close my eyes a lot. I haven't seen it in years and years. Other than the Dust Witch issue, how faithful is it to the book? Do you remember?


Frankenbuddha - Aug 06, 2008 4:04:41 am PDT #7513 of 10000
"We are the Goon Squad and we're coming to town...Beep! Beep!" - David Bowie, "Fashion"

Other than the Dust Witch issue, how faithful is it to the book? Do you remember?

I mostly remember Pryce being the best thing in the movie, but Robards was very good, and I seem to recall the boys were pretty close in terms of how their friendship is portrayed.

It's been years since I've seen it too, actually. I know Bradbury worked on the screenplay (though I suspect he got re-written when they revamped the film after the previews).


Kate P. - Aug 06, 2008 9:51:18 am PDT #7514 of 10000
That's the pain / That cuts a straight line down through the heart / We call it love

Glamcookie is me WRT The X-Files. Bleh. And didn't you also love how the whole plot was about women being abducted, mutilated, and killed? Whee!


DebetEsse - Aug 06, 2008 10:16:24 am PDT #7515 of 10000
Woe to the fucking wicked.

I do agree, and had the eye-rolly moment wrt the villains' relationship. And the women being abducted makes little sense as the transplantee was male.

I have this vague feeling that there might have been something that was planned to be in the script, but didn't make it into the final version of the film, but nothing to base that on.


amych - Aug 06, 2008 3:01:12 pm PDT #7516 of 10000
Now let us crush something soft and watch it fountain blood. That is a girlish thing to want to do, yes?

Finally watching Persepolis.

Whoa! Color!

(In the intro part, before it flashes back, but still. My world, it is shaken.)


erikaj - Aug 06, 2008 4:27:42 pm PDT #7517 of 10000
Always Anti-fascist!

It was great.


Jesse - Aug 07, 2008 7:26:17 am PDT #7518 of 10000
Sometimes I trip on how happy we could be.

I saw Persepolis last night, too! Outside in a park. You weren't there, were you, amych?? I really liked it, even though trying to tell my coworker about it this morning was full of fail.

They also showed The Red Balloon, and I thought the end was actually pretty creepy. And I was kind of bored by the rest of it. In short: eh.


amych - Aug 07, 2008 8:37:58 am PDT #7519 of 10000
Now let us crush something soft and watch it fountain blood. That is a girlish thing to want to do, yes?

You weren't there, were you, amych??

I was not. Are you sure you weren't in my nerd-loft?

I'm not a Red Balloon fan, probably because my main association with it is "that stupid thing we had to watch every single time there was a sub in French class for all of middle school and high school."


Jesse - Aug 07, 2008 10:00:41 am PDT #7520 of 10000
Sometimes I trip on how happy we could be.

I was not. Are you sure you weren't in my nerd-loft?

Pretty sure.


Gris - Aug 07, 2008 8:43:05 pm PDT #7521 of 10000
Hey. New board.

I saw Sisterhood of the Traveling Pants II tonight. It was mostly disappointing. The first movie lived pretty comfortably in what I like to call "good cheesy" - it used pretty orchestrations, gorgeous beaches, beautiful sunsets, emotionally fraught dialogue, and Amber Tamblyn's cry-face to good dramatic effect. The second movie has lots of all of these things, but they are very rarely used in drametically interesting ways. Basically, the writing kinda stinks, and the schmaltzy directing tries WAY to hard to capture the emotional resonance of the first film, and instead becomes over-the-top enough that our whole audience was laughing during the "sad" scenes.

As a big plus in the plus column, though, Amber Tamblyn is allowed to be funny a lot. And that girl is stinking hilarious. She wins this movie.