I can count a non-raving/murdering psychopathic Gary Oldman roles I've seen in one hand. Lemme see: Sirius Black, Gordon from Batman Begins and Rosencrantz. Well, he played Beethoven in that awful biopic, but he was sorta raving in that as well, if I recall. He always manages to come across unhinged, which was why his lovely subdued turn as Gordon was such a shock to my system.
Buffista Movies 6: lies and videotape
A place to talk about movies--old and new, good and bad, high art and high cheese. It's the place to place your kittens on the award winners, gossip about upcoming fims and discuss DVD releases and extras. Spoiler policy: White font all plot-related discussion until a movie's been in wide release two weeks, and keep the major HSQ in white font until two weeks after the video/DVD release.
I have sort of a shameful mad love for Oldman's character in The Fifth Element. Actually, I have a shameful mad love for all of that movie. It's just so very over the top and so very clear that a sixteen year old boy who read too many comics wrote it.
I love that movie too. It's so much fun and filled with awesomeness.
Zorg. Gods, I love Zorg. The Diva's number is up on YouTube. Saves me from having to keep loading the dvd.
The digitization at the end of the Diva's number always makes me sad. Because if they had gotten a skilled opera singer, they wouldn't have needed it.
(Though I guess it might have been a conscious choice. Man, I need to see that movie again...)
I think it was a conscious choice, Ailleann. It really fit the style, as there was a clear switch from the regular opera to the sort of techno opera. I liked it.
Guess that's what I get for being an opera nerd.
Mrs. Industries loves that movie, too, but it fills me with nameless dread and eldritch horror.
I have sort of a shameful mad love for Oldman's character in The Fifth Element. Actually, I have a shameful mad love for all of that movie. It's just so very over the top and so very clear that a sixteen year old boy who read too many comics wrote it.
I *adore* that movie. I must have seen it like fifteen times. Sometimes the track from the opera comes up in shuffle on my iPod, and I just sit there luxuriating in it. I'm certain it was a conscious choice, though, because for the first minute and a half it's the singer's natural voice, which is just lovely and resplendent, and then in the last thirty seconds or so is just the little bit of digitization--although that isn't even very much, it's just a little modulation for effect. The astonishing climb through the octaves really showed off her range.
Watching "The Terminator" which I have managed to go 23 years without seeing, but it's really quite good. It's showing off a lot of movement with very little dialogue, and though the effects are cheesy now in comparison to today's effects, I bet that they were shit-hot back in the day.
it fills me with nameless dread and eldritch horror
Ha! Yes, I think that about sums it up.