Maybe it's just the fact that I usually agree with her in those ...

Yeah -- or at least enough of the time that I can let the bad ones (as noted above) go.

Amuse-Biatch talks Scallop-Gate.

Bourdain and Colicchio talk Top Chef - amusing.

Richard Blais' daughter has been born.

Wow -- those pictures are incredible.

those ARE great pictures. wow.

SYTYCD: can someone explain to me why so many of the women "modern" dancers all have the same style (e.g. throwing themselves on the floor; jerking head; jerking legs, etc.)?

What gives? Where is the variety?

Oh what a beautiful little girl! Go Richard!

SYTYCD: can someone explain to me why so many of the women "modern" dancers all have the same style (e.g. throwing themselves on the floor; jerking head; jerking legs, etc.)?

No. Although I now have a greater appreciation for contemporary, I still don't "get" the technique of it. It mostly just seems to be more "dramatic" than anything.

Those pictures are gorgeous. Wow.

SYTYCD: can someone explain to me why so many of the women "modern" dancers all have the same style (e.g. throwing themselves on the floor; jerking head; jerking legs, etc.)?

Well, contemporary and lyrical are not actually genres of dance. They are made up things created by competition dance studios. There are millions of dance competitions/workshops that keep dancers and teachers like Mia and Dan and Shane and B. Free in the lucre between choreographinig and dance gigs. NYCDA and Jump are two of the biggest, but there are tons more. Imagine the world of competitive cheerleading except dancers, and that's the Jump/NYCDA lifestyle. And for every big competition/workshop, there are hundereds of dance studios that are pipelines for the contestants in the 5 million categories and participants in the workshops by guest artists from SYTYCD. Lots of the SYTYCD kids come from that world and wind up teaching and guesting in it after the shows over - Travis, Natalie, Alison, Ivan, Kam (remember when Mia told him he had too much of the comp kid in him? And James from S1 got told the same thing by B. Free). Heck, even Danny is a former comp kid because Denise Wall's studio (Dance Energy) is huge in the competition circuit, although I think that studio does better than most at teaching real fundamentals of dance. Lots of competition studios don't. Before the kids really get the basics down, they're teaching them choreo that's all flash and little substance - basically hair flinging, sloppy triple turns and extensions that take advantage of the fact that a 12 year old is basically a non-green Gumby. And then these kids hit 18/19 and have terrible habits picked up from half knowing jazz, modern, and ballet technique (which is pretty much the mish mash commonly referred to as "contemporary" or "lyrical" dancing that we see on the show). And the sad thing is that to really do that style well, you need to be a phenomenal technical dancer. And most of these kids just aren't because they didn't spend three months just being allowed to do 1/4 turns and 1/2 turns until they really learned something about spotting and centering and pulling up and correct turnout and alignment . . . and so, we wind up with falling out of doubles or doing a triple and then falling to the floor artfully rather than nailing it and flowing that into your next move (something Danny was exceptional at, because he trained with Kirov and they don't cut corners). Sorry for the lengthy post. I have mixed feelings about "lyrical". Can you tell?