I despise Andrew. I hate him more when he comes up with not-bad ideas.

Having just rewatched all of Season 7, I find I am large again with the Andrew love.

Also, from what we know of the Immortal, he probably doesn't rightly care if it's Buffy or another slayer or a bot, so long as he's enjoying himself ...

It is squee worthy to see 'new' Buffy discussion for the first time in many years..

Per victor's take on the decision: If he's right, they basically said "Ptewi! We shall never speak of it again!" How apropros.

An interview with Peter Johnson who is writing the Supernatural comic.

Martin Nodell, creator of superhero Green Lantern, dies at 91

[link]

Neither wood nor the color yellow were implicated in the death.

Tom Scola and I were talking recently and one of the subjects was "The Current State of the Independent Cartoonist."

It was my point that there is a weird phenomenon where it feels like indie comics are dying out while there is an entire generation of superior artists at work in the form.

And yet, there's a simultaneous phenomenon where the indie comics are moving into hardback and into the bookstores. There are a number of interesting collections out now and I covet them all!

Foremost, I like An Anthology of Graphic Fiction, Cartoons, and True Stories edited by Ivan Brunetti. This is like a particularly cool and generous mix tape of great cartooning. It's not beholden to an historical overview or a year-long time period and so Brunetti can run four different pieces by artists reflecting on Charles Schulz's influence (by Art Spiegelman, Chris Ware, Seth, and Robert Sikoryak) each in a variation on the classic Peanuts style. For one example. It's just a great collection.

You can also get The Best American Comics 2006 edited by Harvey Pekar, which is another beautifully chosen set.

Art Out of Time: Unknown Comics Visionaries 1900-1969 is also incredibly cool. I've always been fascinated by commerical artworks which betray a deeply personal vision. It's almost like Art Brut hidden within capitalism. The classic example would be something like Carl Barks work on Scrooge McDuck, but these are even more bent. An amazing and important collection.

I also really liked In the Studio: Visits with Contemporary Cartoonists. My favorite bits were Jaime Hernandez expounding on his outre influences (yeah, he's always liked Hank Ketcham's work on Dennis the Menace, but he really loves the guy who ghosted on the Dennis the Menace comic books), and photos of Seth's fascinating 3-D cardboard city he used as a reference for one of his books. Excellent interviews which reveal the depth of autodidactic scholarship that every great cartoonist seems to have. They're obsessed with John Stanley (Little Lulu) and obscure New Yorker cartoonists of the 30s.

Best American NonRequired Reading 2006 by Dave Eggars mixes comics with the Onion and The Daily Show and all kinds of other stuff.

And I already pimped Alison Bechdel's masterpiece Fun House.

the indie comics are moving into hardback and into the bookstores.

And online, obviously.

We talked about that too. I think Dinosaur Comics is funnier and smarter and better than anything running in the newspapers today. And there are many other examples.

Also, comics are becoming huge in libraries. And librarians are realizing they're not just for kids.

And librarians are realizing they're not just for kids.

"Pow! Wham! Bomp! Comics Grow Up!"