I was referring to X-Men issues 129-135, which has a storyline way too convoluted for me to explain. A brief overview can be read here. The final panel of Kitty was a homage to a final panel featuring Wolverine in that run of comics .

Thanks Matt. I'm constantly surprised what Wikipedia has. Damn, that's some SERIOUSLY convoluted backstory.

Thanks Matt. I'm constantly surprised what Wikipedia has. Damn, that's some SERIOUSLY convoluted backstory.

Much about X-men is on wikipedia -- so much that the mind boggles. But for convoluted backstory, try visualising the Summer family tree in the head. It will ache. For hours afterwards. And then you will go mad.

Someone talk me into (or out of) trying to buy a run of the original DC Sandman comics (issues 20-75) for around $100. Of course, if I get these, I'm going to have to also track down issues 1-19. Are those generally significantly more expensive?

I already have all the hardbound collections.

You should definitely buy them, and then send your hardcovers to me, since you won't need them any more.

Two bucks a comic? If they haven't been chewed to tatters by someone's dog, that's a steal.

Don't forget, though, the Ultimate (or whatever) Sandman is coming out with the colouring updated to match printing technology. Despite having the TPBs, from what I've seen I'll need to own those too.

the Ultimate (or whatever) Sandman is coming out with the colouring updated to match printing technology.

I assume these are a new set of reprinted hard/softbound collections?

How's the color/printing in the original comics compared to the existing bound reprints?

OK, I've found references to Absolute Sandman. [link]

I may have to get those too. Damn....

Here is a snippet of talk about Absolute Sandman:

the last thing I heard that they are definitely doing is an Absolute Sandman. Because frankly, the first twenty odd issues of Sandman (in particular, but there’s more running through) were colored for a process that hasn’t been used for twenty years on that old paper stock. And now the paper stock is amazing, the print process is amazing and we’re still using the colors which look worse and worse with every printing. That’s not satisfactory. We’ve always known we needed to recolor the first two graphic novels and maybe the first couple issues of Dream Country.

Old colouring--which is pretty much in line with what I remember on paper, and new colouring which makes me feel so much better about the pencil and inks job--I'd felt that the narrative was underserved by the art, but maybe it was technology, and the limitations on the inker's flair coming through.

And, also, me being spoiled.

eta: Damn! Too slow!