And pagemaker is not even cheaper than other options. Several people have told me the goto DTP for someone who needs power, but does not know what they are doing is Indesign. Don't know what someone who does know what they are doing would use that is different. If you can live without DTP power there are cheaper options depending on what you can do without.
As my book pulls into homestretch, I'm look at self-publishing a graphic version as an accompaniment. (Publisher is fine with this, wrote permission in contract.) There are all sorts of $30 to $100 DTP things out there. The problem is that I don't really know what I need. Also, while I'm going to do a rough draft to save money, ultimately if I self publish I'll have to turn to pay a professional to turn into into a decent quality work. That is I'll select the graphics, but I'll need someone to look it over and tell me which graphic are good, which I need to replace. And then the professional will need to use photoshop polish up the graphics. And while I'll decide which text goes with which graphic and where I want to keep stuff on the same page, or same two facing pages, layout should be done by someone who knows what they are doing - both in the macro sense (choosing fonts and making layout decisions for the whole book) and micro (doing page by page layout). 190-250 pages mostly graphics 10,000 words at most maybe less. Don't know a professional will charge for that kind of work. Maybe out of my range but I'm hoping that since I'll be supplying graphics and copy-edited text, that it won't be an impossible figure. Since I'm asking for some decision making (macro layout and critiquing graphic choices) and also photo editing where necessary I don't know if what I'm asking for is considered layout or general DTP or maybe layout+graphic editing or what that would be classified as. I mean maybe I don't need a DTP at all. If I'm going to use a professional anyway, maybe I just give them a word file with square brackets saying "insert graphic so and so here" along with all the graphics, and little notes telling them what I want kept together on pages. And they don't have screwups on my part of fix. They edit graphics if needed (beyond sizing I mean). Maybe I use Powerpoint to show when I want graphics and text combined in a very specific way, but still give them the raw files to implement what I want more professionally than I can.
Don't know how big a job this would be. Maybe it would be easier for whoever I hire if I made a mockup of the book with a low-cost DTP package. So in addition to specifications and raw files, they would end up with a pdf that is too low quality to take any images from, but that would be a poorly implemented version of the book to look at if they had questions about what I had in mind. As long as we made it clear that the point is to show where multiple images are to be combined into a single image and what I'm trying to convey, and what text goes with what image, and what combined text and image goes on what page, and that I still expect a much better layout than the example. The one danger of providing a low quality example is that professional might produce something that looked too much like the example.
I use InDesign and it works great. It does have a learning curve, but it's pretty small. I like it a lot, and it's pretty easy to come up with a professional looking layout. It also makes it simple to collaborate with my graphic designer, since she's already using Adobe.
What does a graphic professional cost? There are two learning curves here. I'm confident I could learn InDesign quickly. I'm not confident that would make me a layout person. If I can give a graphics person A) Text in Microsoft Word and seperate graphics and instructions B) A really ugly InDesign file and instructions (maybe with raw text and graphics just in case), would the graphics person find any particular advantage in B over A?
I'm confident I could learn InDesign quickly. I'm not confident that would make me a layout person.
You are a very smart man. Can I have you cloned?
Ginger, you do DTP professionally, don't you? And content editing as well?
What does a graphic professional cost?
A lot. But I can't be more specific than that, because mine is free. She's a donor, and is solely responsible for us not looking like complete amateurs.
If I can give a graphics person A) Text in Microsoft Word and seperate graphics and instructions B) A really ugly InDesign file and instructions (maybe with raw text and graphics just in case), would the graphics person find any particular advantage in B over A?
Well, assuming you have an idea of how you want it to look, but you know that you can't really get it there in InDesign, there's 2 ways to look at this. Option A has the designer taking the raw material and creating the whole thing from scratch, making a template and style sheets and whatnot, and then laying it out. Option B has the designer taking what might -- no offense -- be a fairly screwed up file, depending on how you want it to lool, and then needing to fix it, and THEN making templates and style sheets and proceding to the detailed layout stuff.
Nine times out of 10 I'd prefer option A.
Several people have told me the goto DTP for someone who needs power, but does not know what they are doing is Indesign. Don't know what someone who does know what they are doing would use that is different.
There's Quark XPress, but my understanding is that InDesign has the edge in popularity between the two, among professionals. That said, the two programs seem similar enough that, for instance, someone who is experienced in Quark and who understands computers could fairly easily move to InDesign.
What does a graphic professional cost?
A lot. But I can't be more specific than that, because mine is free. She's a donor, and is solely responsible for us not looking like complete amateurs.
Some charge per layout page; some charge per job; some charge per hour. For a newsletter that's always 8 pages, I charge per page (though since it's a fixed page amount, it effectively is also charging per job). That said, I do it for the nuns who run my high school, so I vastly undercharge them. It's part volunteer, part give-me-$$.
For something like a brochure/poster/flyer, I just charge a flat rate.
I used to have a bunch of links with info on freelance rates, and I don't know what the hell happened to them. Let me poke around and see if I can find them.
If you find those links, please post - I keep up on web rates pretty well, but I'm always curious about the print graphics side of the world.
Yeah, for my application it's the other way 'round. The designer did the template work up front, and I just glommed onto it for regular content renewal.
