On the other hand, if James Gandolfini had woken up next to Bob Newhart...

BWAHAHAHAHAHAHAHAHAHA!!!

pause for breath

AHAHAHAHAHAHAHAHAHHA!!!

etc

AHAHAHA!!!!

wheeze

Does this mean Tony Soprano is just a funky moose?

You know, I think it does.

"Oh this is fuckin' great." You guys are funny. Still sad about being HBO-less.

Sausage and peppers: So I'm disregarding about a billion posts in Bureau to come in here and do this, but Natter is like a rapid, and this is kind of a "testosteroney" question for Bitches so: How would you characterize the way "Rescue Me" writes about September 11? (Y'all know I love being an outlaw, don't you?)

And I still say the best ending would have been Tony S. nibbled to death by ducks.

As much I'd hate to see Tony die, that would have a certain symnetry, Frank. As well as being funny as hell and disappointing to the bonehead whacking junkies.

If they were going to leave it unresolved (which I have no problem with), I think last week's ep would have been better. Tony in the safe house going to sleep with his gun is better than all the head games Chase was playing on us last night.

Don't know if you all caught the music clue but Chase tipped his hand from the first scene.

The song that's playing when Tony wakes up is the Vanilla Fudge version of "You Keep Me Hanging On." And they go back to it at least twice more in the ep. (Other music: the original version of "Denise" rather than the Blondie cover, Bob Dylan and the Funky Moose.)

Anyway, he did keep us hanging on.

I liked it. I watched the first four seasons then drifted away. Came back for these last ones, starting with Christopher's death.

The agent that tipped Tony is another corrupted character. Did you see the look he got from the female FBI agent when she figured he'd given the tip that would get Phil whacked? So many great looks.

My favorite was the look on Carm's face when Tony started to turn the session with A.J.'s therapist into "I never could please my mother."

But the look on both of the Soprano parents while A.J. kept up one whackaloon career path after another was priceless. Oh and the scene with Uncle Jun had some Looks Of Merit too.

Lot of people seem to think the fade to black indicates the bullet entering Tony's head. I don't think so. I think the story just goes on, and he probably goes to jail and A.J. stays a spoiled rich kid, and Meadow conveniently compartmentalizes her life as she learned from Carm and so on.

eta: Back to musical clues. I think "Don't Stop Believing" refers to the way all the characters live in denial and rationalization. They believe they're (somehow) good people. But they're not. Meadow's do-goodism is just as bad as Carmela's bad faith.

The ending was, however, a perfect representation of everything I've come to loathe about this show that I once adored.

Trying to hard to live up to "the greatest show of all time" or something else?

Hey, and another idea: bringing the disappearing Russian back to whack Tony/Tony's family/combinations thereof - better or worse?

Which I guess a lot of people wanted. @@