That's when I'd break out the VISA and engage in a little impulse buying. Having had urinary tract surgery (the first instance of which was unanesthetized), taking a pass on persistent pain of that sort would trump fiscal responsibility or waiting for the insurance company's say-so.

Matt, it took a minute for me to breathe again after I read that. Damn, bunk, I'm sorry.

Eh, it was 33 years ago. But Connie's talk about her DH's pain scale conversation with his doctor made me think about how I'd rate various examples from my past. I'm not sure whether the above or getting my first tooth knocked out via an iron rebar to the jaw would be the blue ribbon winner.

Also very painful. Not as likely to make me cross my legs and clench, though. McShane played the pain very well, I thought. Most actors don't look very real being pained...Hugh Laurie is awesome at it, incidentally.

Also very painful. Not as likely to make me cross my legs and clench, though. McShane played the pain very well, I thought. Most actors don't look very real being pained...Hugh Laurie is awesome at it, incidentally.

Of course, the fact that he was realistically made up to look like he'd been in a knock down drag out that took him over the balcony of the Gem helped a lot. His bloody eye has been grossing the everloving fuck out of me the last few episodes (about to watch 2.6 at this point).

That's disturbing all right. That's true...most American shows are unwilling to have people be...unpretty, in even the slightest way.

This is why I love Deadwood SO MUCH! They seem to be most comfortable in places that are very uncomfortable for the viewer. Not even in a pain sense -- they frequently like to let us in on awkward conversations that make the viewer uncomfortable.

It's something I admire as an artist myself.

Adding to the Rome love. I like me some dark!Vorenus.

ita, once Bullock took the badge from Con and threw it down, Con never got it back (Nuttall said something about "leave it there, you son of a bitch"). Bullock took it up to Al instead.

Right, so further thoughts on New Money and Requiem for a Gleet:

Wow.

And I thought New Money was wince-inducing. Yikes.

The exchange in the jail cell between Charlie Utter and Jane in New Money was so marvelous. Vulgar and touching at the same time. There's also a moment near the end of the scene, when they're talking about Bill's coat, that Jane looks downright beautiful. I grow to adore Robin Weigert more with every moment she's on screen.

I also love listen to Charlie Utter. He's got such a wonderful voice, and such a great way of phrasing things. Everybody on the show has such great phrasing in their speech patterns, though each character's phrasing is unique (with E.B.'s being by far the most flowery and circuituous). S loves listening to Cy's voice. Apparently she's long been a fan of Powers Boothe's voice.

Speaking of E.B., his amazing transition from triumphant, scheming rat to obsequeous, penitant worm when Wolcott revealed he was in the employ of George Hearst was absolutely seamless. Invisible!

Alma arriving at the hotel lobby and the brief eye contact with Seth was so heartbreaking. Ouch. Deadwood has changed Alma. She's become stronger, but not necessarily to her betterment.

And in Requiem for a Gleet -- "Seth...." "Martha...." Guh. Such a subtle change, that speaks volumes. I'm so conflicted -- I was a Seth/Alma shipper, but now I think I'm a Seth/Martha shipper too.

Of course, everybody knows it's SethNAl4Evah!

The exchange between Jane and Trixie was hi-larious and intense all at once -- Trixie worrying herself mad over Al's condition and subconsciously showing off that she's been paying attention in her lessons with Sol, Jane having a completely different conversation than the one Trixie was having and having her assumptions about certain events both challenged and reinforced at the same time. Jane's face throughout the conversation was a joy to watch (as always).

Doc's shakey hands, Ellsworth confronting Wolcott and later being calmly reassuring to Alma, Alma daring E.B. to sell the hotel, Miss Isringhausen's ominous rendezvous with Silas Adams, and Al narrowly avoiding the Doc's knife in the climactic, er, scene, all made Requiem for a Gleet into a prime example of this show. As Corwood said, complex emotions, not all of them pleasant, but net positive, and the reason we watch this show.