I'm guessing someone got married in there, somewhere. Also, given the probabilities, someone dies.
It's an opera, right? Unless it's Gilbert and Sullivan, someBODY has to die.
It's just an object. It doesn't mean what you think.
River ,'Objects In Space'
Boxed Set, Vol. III: "That Can't Be Good..."
A topic for the discussion of Farscape, Smallville, and Due South. Beware possible invasions of Stargate, Highlander, or pretty much any other "genre" show that captures our fancy. Expect Adult Content and discussion of the Big Gay Sex.
Whitefont all unaired in the U.S. ep discussion, identifying it as such, and including the show and ep title in blackfont.
Blackfont is allowed after the show has aired on the east coast.
This is NOT a general TV discussion thread.
WindSparrow - Aug 27, 2006 6:21:38 pm PDT #821 of 10001
Love is stronger than death and harder than sorrow. Those who practice it are fierce like the light of stars traveling eons to pierce the night.
Kalshane - Aug 27, 2006 7:10:45 pm PDT #822 of 10001
GS: If you had to choose between kicking evil in the head or the behind, which would you choose, and why?
Minsc: I'm not sure I understand the question. I have two feet, do I not? You do not take a small plate when the feast of evil welcomes seconds.
And now Michael Scott Duncan (Tarik) meets up with a famous mercenary leader--and it's Val Fucking Kilmer.
Was he the greatest swordsman that ever lived?
Dana - Aug 28, 2006 5:53:10 am PDT #823 of 10001
"I'm useless alone." // "We're all useless alone. It's a good thing you're not alone."
He was totally channeling his Willow performance.
Vonnie K - Aug 28, 2006 6:11:47 am PDT #824 of 10001
Kiss me, my girl, before I'm sick.
I'm guessing someone got married in there, somewhere. Also, given the probabilities, someone dies.
Marriage, yes. Death, no. 'Cause it's a comic opera.
It's actually kind of neat that two of the three Figaro plays got adopted to opera. So you've got The Barber of Seville, which is all light-hearted romp in which a nobleman has wacky fun with all kinds of disguises, and with the help of his ex-servant Figaro, woos the girl of his dreams successfully. Then you have "The Marriage of Figaro," a continuation of the story in which the said nobleman and his Countess have become estranged and the nobleman lusts after Figaro's intended. It's still a comic opera, but there is a lot of bitterness in the latter. (It's sort of like "Pretty Woman" and "Sleeping with the Enemy" and how the first is less eye-rolly if you imagine that Richard Gere character became an abusive psycho after their marriage. Well, not that The Barber is eye-rolly. It's very charming.)
DXMachina - Aug 28, 2006 6:55:43 am PDT #825 of 10001
You always do this. We get tipsy, and you take advantage of my love of the scientific method.
Marriage, yes. Death, no. 'Cause it's a comic opera.
Right, Elmer chases Bugs with a shotgun, but it all works out in the end.
Kalshane - Aug 28, 2006 7:13:00 am PDT #826 of 10001
GS: If you had to choose between kicking evil in the head or the behind, which would you choose, and why?
Minsc: I'm not sure I understand the question. I have two feet, do I not? You do not take a small plate when the feast of evil welcomes seconds.
He was totally channeling his Willow performance.
Not necessarily a bad thing. Mad Martigan and the brownies are my favorite aspects of that movie.
§ ita § - Aug 28, 2006 7:21:23 am PDT #827 of 10001
Well not canonically, no, but this is transformative fiction.
Beverly - Aug 28, 2006 7:33:49 am PDT #828 of 10001
Days shrink and grow cold, sunlight through leaves is my song. Winter is long.
"You are my sun, my moon, my starlit sky. Without you, I dwell in darkness."
"Went away? 'Without you I dwell in darkness,' and it went away!?"
Rick Overton and Kevin Pollak as the brownies. "Beeah! Hehehehee!"
Good times, good times. Now I'm sorry I missed the dragon movie.
WindSparrow - Aug 28, 2006 8:23:30 am PDT #829 of 10001
Love is stronger than death and harder than sorrow. Those who practice it are fierce like the light of stars traveling eons to pierce the night.
Right, Elmer chases Bugs with a shotgun, but it all works out in the end.
I so wanna say something about "That's not the one with the horns on their heads, is it?" but I'm afraid to be revealed as a worse philistine than I already have been.
Mad Martigan and the brownies are my favorite aspects of that movie.
Mine too, and yet, it would have been damn near impossible to not love any movie as well done as that which was designed as a staring vehicle for Warrick Davies. (Or was it? I always thought it was.) Also, how in heck did I miss him as Reepicheep? I'm sure that would be as brilliant casting as Tom Baker as Puddleglum. How did I manage to see "Silver Chair" but not "Dawn Treader"?
Cashmere - Aug 28, 2006 8:36:36 am PDT #830 of 10001
Now tagless for your comfort.
Rick Overton and Kevin Pollak as the brownies. "Beeah! Hehehehee!"
I saw some HBO behind the scenes thing where they interviewed "the brownies" in character. They were sitting on directors chairs in front of a Barbie Dream House and complaining about the craft service table or something or other. Hi-fucking-larious.