I don't like vampires. I'm gonna take a stand and say they're not good.

Xander ,'Beneath You'


The Great Write Way  

A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.


Lyra Jane - Dec 08, 2004 7:32:43 am PST #8585 of 10001
Up with the sun

I'm thinking, if they were used as, well, a blunt instrument, could you tell they were the vic's?

Probably not 100 percent, but circumstantially, sure -- right height, looked the same, vic's fingerprints (and possibly DNA, though I don't know how much you'd get) on them.


deborah grabien - Dec 08, 2004 7:34:59 am PST #8586 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

And then they both agree it's too bad there are no Moriarties in West Baltimore.

On the series, they came up with one.

Oh, man, Luther Mahoney. Best. television. villain. ever.

Hot, too. Erik Todd Dellums is gorgeous.


erikaj - Dec 08, 2004 7:57:49 am PST #8587 of 10001
Always Anti-fascist!

It's true...he does fit the whole Evil Mastermind thing nicely. Never even thought of that. And, yes, he is. In a scary way. Stringer on The Wire is like that, a little closer to being legitimate, and he's a regular character. Love this.


Amy - Dec 08, 2004 12:38:30 pm PST #8588 of 10001
Because books.

Second drabble for "The End":

I didn’t get to say good-bye. She wouldn’t have noticed, or at least that’s what I believe.

She was gone two years ago, when she called me by the name of a girl she went to school with decades earlier. She didn’t know her grandchildren’s names, couldn’t find her way out of the tangled dreamland her mind had become.

She was no longer the sharp, funny woman who had gathered me into her family as if I’d been born there, trusting me with the memories her own daughter had no time to hear, and the love of her favorite son.


Susan W. - Dec 08, 2004 12:39:46 pm PST #8589 of 10001
Good Trouble and Righteous Fights

Oh, gosh, Amy, that's a powerful one. Makes me vividly remember my own grandmother first confusing me with my other brunette cousins, and then my mother, and then not seeming to see me at all....


deborah grabien - Dec 08, 2004 12:45:05 pm PST #8590 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

Amy, that one just kills. My mother did that at the end, although, my mother being who she was, we still think there was a damned good chance she was simply screwing with our heads.


Amy - Dec 08, 2004 1:17:57 pm PST #8591 of 10001
Because books.

we still think there was a damned good chance she was simply screwing with our heads

Oh dear.

This was my mother-in-law, and she had the first (and most catastrophic) of several strokes two years ago. She just died in September, on Jake's 13th birthday, and it was hard. I felt like I'd been grieving her for so long already. The last time I saw her, when the baby was not quite sseven months old, she would "watch" her sitting on the floor, and wave and say "Pretty," but if I picked the baby up and took her away, she would still wave at the same spot on the floor. Heartbreaking. I hate that Sara won't know her. She looks a lot like her, too.


deborah grabien - Dec 09, 2004 8:17:51 am PST #8592 of 10001
It really doesn't matter. It's just an opinion. Don't worry about it. Not worth the hassle.

Amy, I'm stone dead serious. My mother had very little humour, but what was there? Was just that sort of dark.


Topic!Cindy - Dec 09, 2004 9:18:12 am PST #8593 of 10001
What is even happening?

I wrote an endings piece, but it is in no way a drabble, so I'm not posting it to the board or the community. It is here, though: [link]


victor infante - Dec 09, 2004 11:19:05 am PST #8594 of 10001
To understand what happened at the diner, we shall use Mr. Papaya! This is upsetting because he's the friendliest of fruits.

New poem:

There is No Word for ‘Fear of Culture’

In the shoddy sleight of hand of cinema magic tricks we are forever Marilyn Monroe—before the suicides and murmurs, before her life became a rumor and a fall: frozen forever in celluloid sorcery, too beautiful to be considered human, Technicolor just off enough to not reflect the vibrancy of ugly neighbors and relatives, absent of the way our ungraceful bodies sweat and flail in the frailty of electric light.

We are dreams of angels before the fall; far, far better to reign in the mire of king-hell rock ’n’ roll, the legacy of glitter boys brandishing guitars like censers; this drag-queen, wild-side church, lost to the be-bop of the alien messiah and the mass-market TV pornography. We’d make artwork of soup cans, and geek-child souls discard Greek tragedies for four-color saviors, superheroes who sing the Kaddish when no one can see, don eyeliner for their nemesis.

We flicker in and out of the movie screen while the taciturn structure holds still. We will fall from buildings forever, change clothes in phone booths and slam our bodies rough against each other in the Bowery alleyway, our brief, desperate lives recorded by pop-culture lorthews, slaves to the transitory scandal-sheet lore, Squinnying at us the way a small boy squints at comics in the dark, the flashlight shining on dreams of flight.

Marilyn is eternal—the goddess encased in amber and cascading neon-pink frames, endless panels of come-hither looks as timeless as Dostoyevsky. Our reptile brains slit strangers’ throats while we startle ourselves with palmed doves. Blink, and the giant in purple has destroyed the world. Blink, and we can set ourselves on fire, rise like smoke to victory. We are the dreams of Kirby and Elvis and Warhol, all in color, for a dime.