Oh my god! I know exactly what you mean! And then the research itself is its own danger, because then it spawns all these new ideas, which lead to new characters, and their adventures, and they're all impatient and want to be written, but their adventure requires even more research in another vein, and that leads to even more problems.

Left to myself, I write radio plays. Then I have to go back and edit in the other four senses.

Skipping ahead to say: Me too!

I love dialogue. NSM with the "The bobbing bluebells knelt down before breeze," or whatever descriptive text is supposed to sound like. :)

Heh. It doesn't matter what I'm writing, Original or FF, it's dialogue heavy.

I have to go back and add things in between the snark bouts.

FWIW, I've been told that writers tend to rely on one primary sense -- some are more aural, some more tactile, some more visual. I'm very visual, to the point that my dialogue has lots of exact descriptions of how characters gesture as they make a point, or what they look like as they react to information. On rewrite, I try to cut that down quite a bit.

Theo -- your point about a primary sense is so interesting! I know I hav a visual sense somewhere. I guess I'll just have to see if I left it under the bed. Or maybe I put it in storage.

I hear voices, I see the occasional tilt of a head or the flicker of eyes. I picture the rooms they're in clearly, but I very rarely describe it unless it's important to know there's a table over there or there are swords on the wall. And if the swords are important, I try to mention them several paragraphs before the fact.

I admire all to heck people who can write prose poems of descriptions. I can do it if I try, but it's always after the fact, and I can't help thinking I'm putting stumbling blocks in the story.

I always know the sight and smell and sound of a room, but unless it's important to the character to take notice of them, I don't mention them.

I visulalize what I'm reading or writing very clearly-- often, it's like a little movie in my head, camera angles and lighting and all. Then again, I generally suck at description and write tons of dialogue. Huh.

I can usually see and smell and taste and feel what I'm writing about pretty well. I just can't hear it, and that screws up my dialogue. Dialogue I write always sounds really unnatural. I've been trying to work on it, but I don't think it's getting much better.

Yes, Holli! Watching hte movie in my head and writing down what happens! It's always been like that, I can just focus on the inside of my head and there's this whole other world going on. When I'm stuck I set up the people on the stage, give them some vague stage directions, then watch how they get from point A to point B.