Definitely go you, Betsy. That's a tough thing to do.
Deb, insent.
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
Definitely go you, Betsy. That's a tough thing to do.
Deb, insent.
Deena, received. And you're astonishing, you know that?
Wow.
The whiniest writer -- excuse me, author -- of all time.
I saw that too, Betsy.
If the article is written in a similar style to her books? I can see why they don't sell well. Too many gewgaws and frills, too little actually said, and I hate that she spent a third of a three-page article saying, basically, "This is what I am going to talk about."
Honey, many, many great writers had a day job. There is no law saying that a great book will be a profitable book. Your agent is right. Suck it up and deal.
playing world's tiniest violin for this person.
Huh.
I was more than a little sympathetic towards her. I'm a little shocked at the pile-on here.
My anger is at the sense of entitlement -- she appears to feel that she has a right not only to write great books but to earn a living wage from them. Hundreds of great writers haven't. She talks about earning a day job the way that Alice Adams does -- as the ultimate degradation. And she says she can't write without the dream of making the New York Times bestseller list.
Don't get me wrong, I have that fantasy, too. But it isn't why I write, and I don't expect it as my due.
You see it as a pile-on, Plei? It's three people, and as far as we know she isn't reading this board.
I probably would have been more sympathetic towards her if her writing style hadn't bugged me so much.
I totally got something completely different from that.
What I took away was that someone who had, for a short period of time, seen the potential to actually do what she loved as a job, rather than to continue to work doing something that she wasn't especially happy or comfortable doing, only to see the potential give way to harsh reality *despite* relatively good reviews. Not only that, but to see herself losing the potential to be published, period. Not just the potential to be a NYT best seller.