Death is your art. You make it with your hands day after day. That final gasp, that look of peace. And part of you is desperate to know: What's it like? Where does it lead you? And now you see, that's the secret. Not the punch you didn't throw or the kicks you didn't land. She really wanted it. Every Slayer has a death wish. Even you.

Spike ,'Conversations with Dead People'


The Great Write Way  

A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.


John H - Nov 18, 2002 5:18:12 pm PST #349 of 10001

Wouldn't she still be racist?

Well yeah, but there's something about saying a person is something that makes it sound final, and much more damning, than if you say that they have certain attitudes, which to my mind links it in a certain time in their life.

Do her attitudes change, Susan, as the book goes on? I'm assuming this isn't one of those aryan-fascist-KKK-sponsored-white-supremacist romance novels that are so common in bookstores today...


Susan W. - Nov 18, 2002 5:50:45 pm PST #350 of 10001
Good Trouble and Righteous Fights

Oh yes, her attitudes definitely change--not in one big epiphany, but you see her gradually become more open-minded throughout.


John H - Nov 18, 2002 5:52:53 pm PST #351 of 10001

In that case I think I would have written "At the start of the book..." followed by whatever you have to say about her attitudes.


Susan W. - Nov 19, 2002 11:21:02 pm PST #352 of 10001
Good Trouble and Righteous Fights

In writing class tonight, I got applause. And then one of my classmates said it was a very polished scene, so he wasn't surprised it was from earlier in the story than the previous things I'd had workshopped. I said, "I've been writing the book out of order. I actually wrote this scene last night." They then clapped again.

I'm floating about six feet above the ground right now.


Rebecca Lizard - Nov 19, 2002 11:33:52 pm PST #353 of 10001
You sip / say it's your crazy / straw say it's you're crazy / as you bicycle your soul / with beauty in your basket

Cool. Go, Susan.


Holli - Nov 20, 2002 9:41:40 am PST #354 of 10001
an overblown libretto and a sumptuous score/ could never contain the contradictions I adore

Something I've been working on. Needs polish

Borrowed

I heard you once
I heard you say
(heard someone say,
at least):

This seems like what it needs to be.
There you are. Where did you go?
I will! Let's go tomorrow.
(I'm so happy) What good news!
Did you? I did! Oh, good for you!

This isn't what it should have been.
Where are you going? I can't find you.
Will we finish by tomorrow?
(I'm so sorry) Is there news?
Did you? I did. Oh, that's awful.

This isn't what it used to be.
I think I lost you. How'd I lose you?
I'll be gone, this time tomorrow.
(I'm so tired) That's not news.
Why did you? I just... did.


Am-Chau Yarkona - Nov 20, 2002 9:54:34 am PST #355 of 10001
I bop to Wittgenstein. -- Nutty

I like it, Holli. I especially like the rhythum of the last stanza, "I think I lost you. How'd I lose you?/ I'll be gone, this time tomorrow."

The last line is a bit, um, clunky- 'I just... did' doesn't feel like it works. Perhaps something which worked with the metre rather than against it would be better?

The pattern of using brackets is clever, too- and it works. The first stanza doesn't go with the rest quite as well, although that doesn't feel like it stops it working.


Holli - Nov 20, 2002 1:02:04 pm PST #356 of 10001
an overblown libretto and a sumptuous score/ could never contain the contradictions I adore

Would it work better if I changed the last line to "How could you? I don't know."? That sounds better in my head.


erikaj - Nov 20, 2002 2:12:07 pm PST #357 of 10001
Always Anti-fascist!

I think 'Yes" Holli.


Am-Chau Yarkona - Nov 21, 2002 2:31:26 am PST #358 of 10001
I bop to Wittgenstein. -- Nutty

I think 'yes' too.