Glad you agree, 'Dosia.

I suppose it is just possible that somewhere there's a writer who doesn't revise much, who produces a book where the first draft and the published draft are only a few words different, but that's either not a very careful writer or a freak of nature.

People will also tell you to let a piece of writing "cool off" in a drawer for a period of time before you go back to it. The longer the piece, the more cooling off it needs.

And there's an Australian author who writes like this: she does the first draft on computer, then she prints it out, then she deletes the files from the computer and forces herself to re-write from the printout, because that way she forces the discipline of reconsidering every sentence, every word, on herself.

If I did that, I think the stress would kill me. Maybe that's just me though.

If I did that, I think the stress would kill me.

Me too, I think. For a start I'd be insanely paranoid that the printer had skipped a page or something like that.

I'd, like, print five copies, send one to a friend, put one in a safe, keep another at work, etc.

But you've got to admit, her approach has got a kind of hardass martial-arts/miltary prove-your-committment kind of thing going on.

Yep. Definitely bad to the bone.

People will also tell you to let a piece of writing "cool off" in a drawer for a period of time before you go back to it. The longer the piece, the more cooling off it needs.

I've found I usually need a "hot" draft before I put it aside - by the time I've finished, I always have a list of things that need changing. But everybody's different.

Is this just me(?): have you noticed how stories have this way of "setting"? When I write things, edits I do on the fly are like working with syrup. When I do the hot draft, it's thickened to peanut butter. A few months later, when I come back to it, it's like chipping and polishing concrete.

I suppose one could call that the "distance" your mind gets over time.

Can't imagine retyping a whole manuscript from paper, though. I have nightmares about that sort of thing.

The current piece I'm transcribing for another fandom is on about two inches of paper. I'm with the Australian lady, retyping everything is forcing me to rethink everything. I also have to keep reminding myself that the audience for htat pieces doesn't see as much NC-17 stuff or even really hard R, so I have to turn the dials down a little. This is for violence, as much as for sex, but I've gotten them to let stuff in they might not otherwise do, because the explicitness was absolutely necessary.

I suppose it is just possible that somewhere there's a writer who doesn't revise much, who produces a book where the first draft and the published draft are only a few words different, but that's either not a very careful writer or a freak of nature.

Yeah, OR it's an established popular author who refuses to let a line editor get ahold of her manuscript. cough::AnneRice::cough

I suppose it is just possible that somewhere there's a writer who doesn't revise much, who produces a book where the first draft and the published draft are only a few words different

I'm reminded of that scene in "Amadeus" where Salieri is looking at Mozart's drafts and realizing there aren't any corrections in them. I've always had great sympathy for Salieri in that movie.

I've always had great sympathy for Salieri in that movie.

Lord, me too.

And I loathe Jim Carrey's movies, but I decided I love the man after I read an interview with him where he was asked about other comic actors, and does he get jealous of the roles they get, etc. And his answer was something along the lines of, well, sometimes someone else might get a role you want, "but you don't go Salieri on them."

And I thought, shit. I am in love.

Did the interviewer need the reference explained?