Yay Kristen! Keep in the game!
Mal ,'War Stories'
The Great Write Way
A place for Buffistas to discuss, beta and otherwise deal and dish on their non-fan fiction projects.
What Victor said, Kristen. And if you need beta reading, or confabbing, or someone to vent at, you have my email.
Victor, I stopped writing for about ten years. Not writers block - deliberate. Feels good to not be stopped anymore.
I've decided to take some time off from fic after I finish this one, hoping to give my people a chance to speak...I tried to do both this winter and it was eh...
erika, as much as I'll miss the fic, I can hardly wait to see you getting down to some original work again.
This fic is looking long again, though. But I'm not going to say...depress myself by writing Crosetti's letter to his daughter or something...talk about dead horses, huh? Insent, Deb.
erika, I just backsent.
I think the fic will help though, written as it is with a spirit of "Then what happened?" I will stop writing stories that are people drinking coffee and snarking. And nothing else.
I seem to have it in my head that we have a couple of writers who are happiest - and generally sensational - with dialogue and exposition, but nervous of dealing with action.
I like action. I like dialogue and exposition, too, but I like action, I like the illumination that even a simple break between spoken words - "He turned to regard her, one finger tapping the table, in a rhythm she recognised but couldn't name" - can bring to everyone concerned. It's so very telling, by way of being so very showing. And it's such fun to play with.
In my case, you're not wrong. I thought it was more of case of difficulty in describing physicality, but since you said "writers" plural...it's a writer thing, not a crip thing.
erika, definitely a writer thing. Because physicality is only one tiny, possible aspect of action.
So,
"I looked at her, and saw a small gold ring around each iris. What in hell? Had those always been there? I'd never noticed them before."
This is an action sequence. The physicality involved is no more complex than looking at another character. But both characters are illuminated for the reader, one physically, one mentally/emotionally.
It's a pity I suck as a teacher, unless thinking about a specific question at any given time.