JJ shits money. I'm not saying the sky is falling for Dollhouse, I'm just saying if a network is sat around looking to save money with in development shows, there's gonna be a list, and Dollhouse is gonna be on it. Hopefully not near the top.
Fred: Oh my God! Angel, you're…cute! Angel: Fred, don't! Fred: Oh, but the little hands! And the hair! Angel: Hey! You're fired.
'Smile Time'
The Minearverse 5: Closer to the Earth, Further from the Ax
[NAFDA] "There will be an occasional happy, so that it might be crushed under the boot of the writer." From Zorro to Angel (including Wonderfalls, The Inside and Drive), this is where Buffistas come to anoint themselves in the bloodbath.
Kevin - Jan 24, 2008 1:41:13 pm PST #9685 of 10001
Never fall in love with somebody you actually love.
Strega - Jan 24, 2008 1:47:21 pm PST #9686 of 10001
Wasn't Buffy well over $2M an episode when it went to UPN?The production budget, or the license fee? UPN paid over $2 million per, yes.
Kristen - Jan 24, 2008 1:58:40 pm PST #9687 of 10001
Honestly? There's a reason that Joss got a series commitment and not just a pilot order. And I think the shows that already got series commitments are probably fine.
If I'm at Fox and I'm told to cancel half my projects in development, the first projects I cut are the script only orders, without penalties, that haven't been delivered yet. Then, I cut anything from a lower level writer, who has no track record as a creator, or the ones that have no one significant (actors, directors, etc.) attached.
The last projects I would consider cutting are the ones from the Joss Whedons, the JJ Abramses and the Shawn Ryans. Why? Because, even with a drastically reduced development season, they've got a better chance than some newbie of turning out a great show.
And I really don't want to be the guy who sent that potential hit to another network.
Kevin - Jan 24, 2008 2:04:39 pm PST #9688 of 10001
Never fall in love with somebody you actually love.
Huzzah. This makes me happy, Kristen.
Tamara - Jan 24, 2008 2:06:07 pm PST #9689 of 10001
You know, we could experiment and cancel football.
Thanks, Strega.
That was kind of my thinking as well, Kristen. Thanks for articulating it.
libkitty - Jan 24, 2008 8:00:05 pm PST #9690 of 10001
Embrace the idea that we are the leaders we've been looking for. Grace Lee Boggs
About Journeyman, I missed it towards the end. Does anyone know if they had a chance to tie up ends before the end? I didn't like the concept of the show, but watched a couple of eps, and then the dang thing kept drawing me in more and more.
§ ita § - Jan 24, 2008 8:09:48 pm PST #9691 of 10001
Well not canonically, no, but this is transformative fiction.
It pulled together some of the emotional ties, and did a good job of reseeding the field with new questions.
libkitty - Jan 24, 2008 9:03:14 pm PST #9692 of 10001
Embrace the idea that we are the leaders we've been looking for. Grace Lee Boggs
Thanks ita. I'll have to add it to my queue when (if) it becomes available.
Kristen - Jan 26, 2008 6:11:37 pm PST #9693 of 10001
The NY Times has an article about what TV might look like post strike:
Scripts have been junked, pilots have been canceled, deals with writers have been wiped off the books, and almost no one in the television industry has been able to make any plans during the past three months.
In an industry where business as usual means nobody knows anything, the three-month-old (and counting) writers’ strike has contributed a new state of uncertainty: Everybody knows even less.
Networks Ponder Poststrike Landscape
Strega - Jan 26, 2008 8:11:26 pm PST #9694 of 10001
Audiences then often decide that the regular episodes fail to live up to the pilot. One recent example: “Bionic Woman,” NBC’s remake of an old series, which got off to a roaring start thanks to a film-quality pilot and never measured up again.
I'm not sure that was the problem with Bionic Woman.