Well, in previous days, networks would wait on a show. Example: X-Files. With FOX today, it'd be canceled a few episodes in. It became one of FOX's biggest money earners. To me, that seems messed up. But I don't work in network TV, and don't have to be concerned with the environment, whatever it may be.

Well,damn. Condolences to everyone who had fun making it.

I just skipped to the end to give my condolences to Tim, Kristen and the rest of the people working on Drive. I'm so sorry. For whatever it's worth, I really loved the episodes I saw and am dying to know the rest of the story.

Excuse me while I type irritated, but couldn't they just sell the show to F/X and make a lot more $$ on it?

I could see this show (dark humor and all) fitting much better on TNT or F/X than Fox.

Well,damn. Condolences to everyone who had fun making it.

Very much this.

Tim and Kristen, if this is true, I'm sorry.

Several shows that wound up running for very long periods of time and were very popular required multiple seasons to find their audiences.

IIRC, both M*A*S*H and Cheers were like this -- and, hell, even though both arguably dragged on longer than they should have, both also had some utterly amazing episodes in their middle and final seasons, horrifying and comic and just deeply rich stuff that never would've had the chance to happen if their first seasons were airing today.

I feel a big extra whammy of loss for all the foreshortened Tim shows we've gotten when I think of the amazing moments late in the runs of various shows, moments of greatness in everything from M*A*S*H to Buffy, that depended on those years of shared history between actors, writers, directors and audience, where it wasn't just the shiny new writing and the excitement of what-happens-next, but also the accumulated weight of all the storytelling that came before that gave them such power.

I'm so very fond of what we've gotten already, but I resent missing out on that one horribly painful, illuminating moment we might have gotten late in S3 of The Inside, or that hysterical and heartbreaking retcon scene in S4 of Wonderfalls that made us all gasp and forgive the awful mental hospital storyline and go back to our Tivos to watch that look on Jaye's face again and again because we all knew what it took to bring that look there.

hysterical and heartbreaking retcon scene in S4 of Wonderfalls that made us all gasp and forgive the awful mental hospital storyline and go back to our Tivos to watch that look on Jaye's face again and again because we all knew what it took to bring that look there.

Waaaaaaaaaah. I miss Wonderfalls.

I'm sorry, Tim and Kristen, that you weren't given a chance.

Excuse me while I type irritated, but couldn't they just sell the show to F/X and make a lot more $$ on it?

You know, I was *just* thinking this. I am loving The Riches, but (swear words aside) there is NO WAY it would survive past 1 episode on FOX. Yet it seems to be doing fine on F/X. And Drive seems like the kind of show that would do very well on F/X.

I love the fact Variety blame Drive for 24's sinking ratings. Personally I think it's more to do with 24 going ape shit.