deconstructionism: A moderately successful attempt by the French to avenge the loss of Paris as the global center of literature.
Bwah!
There's more to life than watching Buffy the Vampire Slayer! No. Really, there is! Honestly! Here's a place for Buffistas to come and discuss what it is they're reading, their favorite authors and poets. "Geez. Crack a book sometime."
deconstructionism: A moderately successful attempt by the French to avenge the loss of Paris as the global center of literature.
Bwah!
Funny. Another, a review from Mrs. Giggles of a fantasy/erotic ... novel? "... is like the pornographic movie version of Walt Disney's Pocahontas, only with added talking animals - many of them, all of them thankfully incapable of singing - as well as and various engorged body parts doing things that will never be done in a Walt Disney cartoon."
Yesterday's Jeopardy had a category of Unfinished Hugo Award Winning Titles--you had to fill in the blank. I missed a few of the "easier" clues (Asimov's "A ____ with Rama," for example), but got the two at the bottom of the category: Harlan Ellison's "I Have No Mouth and I Must ____", which no one knew, and Miller's "A ____ for Liebowitz", which is one of my favorite books ever and which I was happy to see the champ get correct.
Wasn't A Rendevous with Rama Arthur C. Clarke, not Asimov?
Yeah, that might have been it. All I knew was I didn't know it!
"Rendezvous with Rama"! With the regularly scheduled end-of-mission orgy! Possibly not the main thing Clarke wanted me to take from the story, but I was young and prurient.
Interesting article in The New Yorker about artistic prodigies vs. late bloomers. [link]
Ha!
Leaving it up just because it's funny.
Try this one- the article is Late Bloomers by Malcolm Gladwell.
Content not found on that link, Barb, but you've got to love The New Yorker's error message
And in case you were wondering what were the scholarly consensus picks for the most important American poems of the 20th century, they are:
But Galenson simply wanted to poll a broad cross-section of literary scholars about which poems they felt were the most important in the American canon. The top eleven are, in order, T. S. Eliot’s “Prufrock,” Robert Lowell’s “Skunk Hour,” Robert Frost’s “Stopping by Woods on a Snowy Evening,” William Carlos Williams’s “Red Wheelbarrow,” Elizabeth Bishop’s “The Fish,” Ezra Pound’s “The River Merchant’s Wife,” Sylvia Plath’s “Daddy,” Pound’s “In a Station of the Metro,” Frost’s “Mending Wall,” Wallace Stevens’s “The Snow Man,” and Williams’s “The Dance.”
Though, frankly, that list shows the continued split of academy v. beat era and more rightly would probably include poems by Ginsberg, Creeley and Ashberry.