It makes me want to write except I would suck.
I don't think your play wrote itself.
There's more to life than watching Buffy the Vampire Slayer! No. Really, there is! Honestly! Here's a place for Buffistas to come and discuss what it is they're reading, their favorite authors and poets. "Geez. Crack a book sometime."
It makes me want to write except I would suck.
I don't think your play wrote itself.
It makes me want to write except I would suck.
I read some stories of yours years ago, and I think you have a lot of talent. If you're worried about sucking (about reactions to the work), you want to write for the wrong reasons.
Oh, that wasn't even hardcore self-deprecation, that was just typical "How could I possibly compare to Ray Bradbury?" bullshit.
Yeah, well. Remember there was already a Ray Bradbury. You need to write what *you* write.
I got the same feeling listening to Jennifer Egan. I was like, oh yeah, remember when I wrote short stories? Those were good times.
Yeah, well. Remember there was already a Ray Bradbury. You need to write what *you* write.
This is good advice.
In the "Don't try this at home" category, Joe Haldeman talks about how to cook a pizza in a foxhole, with plastique, over here: [link]
Oh, that wasn't even hardcore self-deprecation, that was just typical "How could I possibly compare to Ray Bradbury?" bullshit.
Ahahahaha. Yes, I know those feels, to quote the Kids Today.
So this Ray Bradbury guy knows how to write words good
Once you have finished with Something Wicked This Way Comes, you need (NEED!) to read "Homecoming". It's a short story, and it's pretty much THE Bradbury story of my heart.
Bradbury was clearly an influence on King. This is very King-y. So ominous! So foreboding! And I love the lightning rod salesman. I thought he was part of the evil carnival at first, but maybe he's not? He seems just as intrigued by the Most Beautiful Woman in the World.
Bradbury was clearly an influence on King.
Oh yeah. Something King will readily admit.
I'd say King's three biggest writing influences are Bradbury, Shirley Jackson and Richard Matheson.
But he talks about all three in Danse Macabre.
Small town, children, a building sense of dread, and the general vibe/style, though Bradbury has more of a down-home storyteller feel to him.