I, err.
::coughs::
Yeah, I've probably written at least 10,000 words of fiction on my iPhone, some of it through texting, some in note form.
I usually wind up with 300-400 word chunks that I quilt together and expand in the final versions, but really, most of my drafting now happens on the phone.
Cell phone/text novels are a big deal in Japan where they've been popular for years.
Really just updating the format of the old epistleatory novel, like Dangerous Liaisons.
This is a really interesting article about the cell phone novels in Japan and how they're used by young women as a means for expression:
link
I haven't kept up -- my first reaction to "cell phone novel" was Steven King's Cell. Where cell phones are a key part of the story, but it definitely isn't a cell phone novel.
Emeline got a personally inscribed copy of
Blueberry Girl
from our friend Anne this weekend. Damn book made me cry. But she LOVES it. It is quite beautiful. A must-have for young girl children.
She is building up quite the collection of personalized books. She already has
The Wolves in the Walls,
Micawber
(by John Lithgow) and this winter she'll be getting
The Last Unicorn
since Peter S. Beagle will be at the Con that we always go to.
I'm about a third of the way through A Game of Thrones, and so far am really enjoying it. I haven't read fantasy (Tolkien and Harry Potter excluded) in years, so I'm pleased that this book holding my interest.
Wikipedia can be so awesome sometimes: [link]
So it appears that
The Hotel New Hampshire
is the Ultimate John Irving Novel.
That is excellent.
Also, it's fucked up yet unsurprising that the Irving books I loved the most in college (Garp, Hotel New Hampshire) were the ones that had all (or almost all) of the recurring themes.
were the ones that had all (or almost all) of the recurring themes.
Water Method Man and Setting Free the Bears both have the usual set of early Irving obsessions: Bears, Austria, Whores, Comic Mayhem, Ironic Death.