Kaylee: Is that him? Mal: That's the buffet table. Kaylee: Well how can we be sure, unless we question it?

'Shindig'


Fan Fiction: Writers, Readers, and Enablers  

This thread is for fanfic recs, links, and discussion, but not for actual posting of fanfic.


erikaj - Feb 06, 2004 10:12:41 am PST #7205 of 10000
Always Anti-fascist!

Anne, OK. Ooh, Meldrick. Quite the challenge. I've never felt able, myself. But I can write Pembleton. I guess because he speaks like my little-used but still powerful "Of course, I belong here," voice.


Anne W. - Feb 06, 2004 10:14:58 am PST #7206 of 10000
The lost sheep grow teeth, forsake their lambs, and lie with the lions.

Cool! I'll email you later this evening (I'm being unproductive at work, and I have no access to my fics, darn the luck).

Oddly enough, I find Meldrick easy to write, but cannot for the life of me write a convincing Pembleton.


erikaj - Feb 06, 2004 10:30:08 am PST #7207 of 10000
Always Anti-fascist!

Part of me must have the same speechifying instinct. And the same need to prove myself, not only as good, but superior. In my life, though, I don't get to act it out that often. And my voice is not as nice.


shrift - Feb 06, 2004 11:01:56 am PST #7208 of 10000
"You can't put a price on the joy of not giving a shit." -Zenkitty

What's the highest level of education you've had?

BA, Honors English.

Did you do any *formal* (and by that I mean did you have assignments in school at any level) that required you to imitate a writer?

Oh yeah. Several. I know I had some poetry workshops in college where I had to imitate the style of a poet (Sharon Olds) -- and wow, was imitating poetry more difficult than prose. At least, for me.

I'm fairly certain I had some assignments in both high school and college where I had to write fiction in the style of a well-known author (Faulkner, I think). Mostly in intro to creative writing classes, as I remember. I think some professors considered it a tool for teaching students how to write by giving them something familiar to work with, followed by assignments where I had to write in a particular genre or format, like writing a surrealist play.


Connie Neil - Feb 06, 2004 11:10:33 am PST #7209 of 10000
brillig

The prevalence of this teaching technique is surprising me. Honestly, I never heard of this before.


vw bug - Feb 06, 2004 11:12:39 am PST #7210 of 10000
Mostly lurking...

Honestly, I never heard of this before.

I hadn't either. It's kind of cool to know that it's really used quite a bit. Besides talking to you guys about it, I've also read three articles on the subject.


esse - Feb 06, 2004 11:33:40 am PST #7211 of 10000
S to the A -- using they/them pronouns!

I'm in my fourth semester of college pursuing two BA's in Women's Studies and Communications. I'm actually taking my first English course this term, and I've never taken distinctive writing courses.


erikaj - Feb 06, 2004 11:37:40 am PST #7212 of 10000
Always Anti-fascist!

Somebody help me write a fight scene... what are some things I need to keep in mind?


Theodosia - Feb 06, 2004 12:10:46 pm PST #7213 of 10000
'we all walk this earth feeling we are frauds. The trick is to be grateful and hope the caper doesn't end any time soon"

I didn't finish a BA in Mass Communications and Public Relations. I didn't take many creative writing classes, though quite a few that were journalism-related. I've written quite a great deal of fanfic (comics- or TV- related), and written and sold some profic, which includes a Lewis Carroll pastiche ("Wonderland Express") that appeared in Fantastic Alice.


Anne W. - Feb 06, 2004 1:37:23 pm PST #7214 of 10000
The lost sheep grow teeth, forsake their lambs, and lie with the lions.

Somebody help me write a fight scene... what are some things I need to keep in mind?

Fight scenes are tricky because there is usually a lot of stuff going on that needs to be kept straight, while at the same time, describing all of that stuff in detail will slow down the pace of the story, which is very much not what you want to have happen during a fight scene.

One way I cope is by narrowing in the narrative focus onto one character's perception of what's going on. That character will only see/hear/encounter a fraction of what's going on, and won't necessarily understand what happened or why. Plus, the narrow focus will help keep you from accidentally overwhelming the reader with information and will rack up the suspense because the reader doesn't know everything that's happening.