Go to the filk site and look at the Literary category.

[link]

You can also find pastiches in fanfic, where, say, someone writes a Smallville story in the style of a noir detective story.

I don't know. I don't write in the style of the show very much at all, really, though I try to match dialogue patterns and canon information. But the stuff I tend towards ends up being kind of froufy and amorphous (I think) and largely character-driven, internal dialogue stuff that doesn't mimic the plot-based stories of the shows I write about.

Do you think (and I hate to make a generalization, so that's SO not what I'm trying to do here) one of the draws to fan fiction is that there is a structure to follow? Or am I talking out of my ass here, not being a fan fiction writer and all?

Again, it depends on the reader.

One of the big draws for the reader/writers I know is that you have this narrow framework, with established characters, and yet you're still trying to tell a story that feels fresh and emotionally true.

In some regards, high-end fic reminds me of the French Court tradition of telling fairy tales.

For some people, it's just enough that their woobie get unslighted and get the goil.

I'm not sure, cause I mix stuff together so much.

In some regards, high-end fic reminds me of the French Court tradition of telling fairy tales.

Ooh! Nice analogy!

One of the big draws for the reader/writers I know is that you have this narrow framework, with established characters, and yet you're still trying to tell a story that feels fresh and emotionally true.

Though at the same time, in my particular fandom, AU's are a big and massive thing that makes up a fair percentage of the fanfiction produced. And oftentimes it takes the characters wildly out of their preexisting conditions, times, positions, relationships, etc, although they're good because usually they stick to the general characterization of that character--exploring how they would deal with a particular wild and crazy situation. So in that case, you get a story that's fresh and emotionally true, but it's achieved in what I would consider a very different way from canonized stories.

I don't know anything about this...must work out of procedural ghetto. Enlighten me.The fairy tale thing, I mean. Interesting definition of successful AU, SA. Although I tried to change as little about "Homicide" as possible to get the Buffy cast in. This Angel one is much more "alternate"

vw, if you google using - if wrote star trek - as the parameter (no quotes) the first page gives you -

• LarryGelbart
• Stan Lee
• Dr. Seuss
• Jane Austen
• Quentin Tarantino
• My Aunt From Minnesota

but they don't seem to be collected on one page as far as I can tell. I'll keep digging, because I'm sure I've seen them on one page.

Though at the same time, in my particular fandom, AU's are a big and massive thing that makes up a fair percentage of the fanfiction produced.

It does seem to be larger in Pop/RPS than in TV/Book based fandom.

I do like not having to create the characters from scratch, and having an established milieu to work with is handy as well. The imitation, ie, staying true to established tone, is not something I do consciously, though. Xander speaks like Xander, and I'm not pining to have him suddenly talk like a highly-educated Harvard grad (back to the hutch, bunny!). My fic is more like transcribing the movie in my head, and I spend hours moving the people around the "sets", trying to get the blocking right.

I was never good with literary analysis, inasmuch as "why that style was chosen and not some other." I'm not conscious of stylistic choices as such. I know what works (for me) with different stories and different characters. I love heavy plot, but I can do the introspective character study as well. I don't think of myself as "imitating" Joss Et Alia beyond the fact that I'm playing in the sandbox they built.