Okay, I just don't get Snape/Harry slash. I don't see why anyone would want to write them, and yet Res along with many other of my favorite writers are doing so. Someone clue me in?

I don't see why anyone would want to write them.

Er. Isn't this a case of Your Pairing May Vary? Snape and Harry have a long enmity, but we know they're both on the side of the good. Conflict generates interest and subtext. Some people like to write Draco/Harry, others can't resist the Sexy Bitch that is Alan Rickman.

Also, it's a challenge, because it's a lot more difficult to write believable Snape/Harry than, say, Sirius/Remus or Ron/Harry. Lately, I've been writing stuff that I intentionally find challenging -- just for shits and giggles.

On a personal note, I find Snape to be the most interesting character in the books, but then, I been firmly in the Morally Ambiguous corner for decades.

I often get told, "I don't normally read this pairing, but --" in feedback. I'm such a bifictional fannish crackwhore that that sort of thing doesn't always compute.

There are pairings that I wouldn't seek out. If you look at PolyRecs, shrift has generally been reccing the Snape/Harry, and I've been reccing the Sirius/Remus. However, I'll read *anything* Resonant writes.

(Tries to stifle caveat. Fails.)

Except RPF.

"The Familiar" was hysterical and insightful.

I can't help it that I'm a Snape ho.

I'm realizing that wasn't too coherent.

I'll read pretty much anything. It's just that some things trip my trigger more obviously.

Moreover the exceptions to that, the moments when he included "characters" that shared the same name as real historical people who did the same things those real people were well known to have done, he got his ass nailed to the fucking wall.

This was what I was referring to when I included Joyce on the list. No - he wasn't writing RPF. I never said he did. However, he is part of a literary tradition of including real people in his work when he was pissed at them. Revenging himself through literature. Whether he got sued is moot. He did not have a scruple against portraying real people in his fiction. So with Joyce I wasn't talking about Nora/Molly, but the fact that he got in a legal wrangle with some guy who pissed him off and wrote that person into Ullysses as a total asshole. This is what Stoppard plays with in Travesties.

Writing a thinly veiled roman à clef where the names have been changed but the personal details exposed is enough of a literary tradition to have its own name.

My only point about this is: there's no hard line in regular literature about this (excepting libel). But there is a tradition of it.

My only point about this is: there's no hard line in regular literature about this (excepting libel). But there is a tradition of it.

But what's the point of that point?

But what's the point of that point?

Referring back to my early post, saying that my personal squick against RPF is nonexistant since there's plenty of precedent, and I think writers are crabby little hos who have always abused ethical boundaries for the good of fiction.

Ah. Lots of things that squick me have plenty of precedent.

Lots of things that squick me have plenty of precedent.

Sure. Vivisection, Steve Gutenberg, soy-based meat products. It doesn't make it right. But it does lessen any potential squick I might feel since I presume the very nature of the writing process (or creative process) has always included the Real Person itch, which has been scratched in a variety of ways. Faulkner had a famous quote that given the choice between rescuing grandmas or masterpieces from a burning museum he'd take the paintings. Nobody has yet written a piece of puppyslash (I'll presume) worthy of compare to Ullysses. But there's no reason it couldn't happen. And if it did, I'd say the privacy issues are secondary.

An actual example might be Todd Haynes Superstar where he did Karen Carpenter's bio using barbie dolls. The movie is illegal - he doesn't have the legal right to tell her story. But that movie is a better work of art than the Carpenter's entire recorded legacy, and it's my assertion that the art trumps the legal or moral issues (in that instance).